Shahran Sunny Audit wrote:
Using too much imagery can sometimes bore audiences; it explains why great filmmakers like Bergman, Ray and even Kurosawa are not widely recognised by mainstream audiences.
I think more than the audience getting bored they are over-whelmed or perhaps just not ready - these directors expect the audience to constantly interact with what they see on screen, for them cinema is NOT a "passive entertainment†they push viewers to think/feel and react to what they see and very few want that ( esp. from an indian perspective watching movies is usually seen as a zero “brain-drain†exercise).
I can see you point and understand that most of Indian audience are not "ready" for it and still depend on spoon-feeding information via voice-over-narration, my problem with TT is that in certain situations it was just not needed - case-in-point --> when he starts the movie/story - people already know there is going to be flashback (btw – I loved the use of B&W for present and colour for past events ) - so why bother explicitly stating it! , I would also have really liked if he did not use VON during his fathers loneliness ( that could have done it for me )
Anyways - like i said before, if we want to Nit-Pick and/or rip this movie apart i am sure we can easily do it ..., but then I felt a special connection with this movie ( a very rare moment with Indian cinema) and really want to leave the movie quirkiness alone, I guess I just wanted it to unfold in front of me and I am glad I did.
Shahran Sunny Audit wrote:
I learnt my lesson after making my short film, which had less tell and more show. My film was praised by fellow film-school classmates, some film buffs, and my lecturers. However, when it was shown outside to the general public the feedback was completely the opposite.
I would like to see thi movie also (if possible)
Quote:
"The masses are asses" - Jean-Luc Godard
Where did u get this quote ?? - seems like a very out-of-context godard talk (from what i know he respects the audience very much )