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PostPosted: Tue Sep 26, 2006 10:35 am 
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arsh wrote:
I recommend all Bapu followers to watch Sir Richard Attenborough's Gandhi with your family to pay homage to Bapu!

I highly recommend the film to those who have not seen the film already, you shall be pleasantly surprised as to how good the film really was. In fact, I would also recommend it to those who may not have seen the film in a while and may not remember it too well. You too will be surprised as to how good the film really was.


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PostPosted: Sun Oct 01, 2006 8:19 pm 
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Bhai log... yeh movie fir se apun ne dekha... dimaag mein chemical locha kar diya hai...

Surprisingly, watching this movie again and again makes the move even more refreshing... I would say 2006 has given us a really memorable movie... a complete anti-thesis to RDB and its violent end !


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PostPosted: Mon Oct 02, 2006 4:15 am 
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Sanjay wrote:
arsh wrote:
I recommend all Bapu followers to watch Sir Richard Attenborough's Gandhi with your family to pay homage to Bapu!

I highly recommend the film to those who have not seen the film already, you shall be pleasantly surprised as to how good the film really was. In fact, I would also recommend it to those who may not have seen the film in a while and may not remember it too well. You too will be surprised as to how good the film really was.


Sanju! viewing will give some insight into, what is oscar worthy film, and what is oscar worth performance like!


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PostPosted: Sun Oct 08, 2006 8:50 am 
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Someone is reading Zulm vociferously :lol:

I must check out the Hope/Crosby series... Has anyone seen the Terence Hill/Bud Spencer series (the modern day versions of Laurel n Hardy ?).. I have vague memories of those movies...

LRM on its way to becomining an all time blockbuster..as per Boxofficeindia.com

http://www.screenindia.com/fullstory.ph ... t_id=13698

In some ways Lage Raho Munnabhai is reminiscent of the famous Road movies with Bob Hope and Bing Crosby, where the two characters have a series of misadventures. Earlier I S Johar and Mehmood had attempted a similar series, which stopped at the second film. However, if the box-office successes of both Munnabhai MBBS and Lage Raho Munnabhai is any indication, then Vidhu Vinod Chopra and Rajkumar Hirani have a series on their hands, with Sanjay Dutt and Arshad Warsi, the value-add-on being Boman Irani.

Unlike a sequel, which it is mistakenly referred to, in a series, two or three characters are put in different situations which has no bearing whatsoever on the earlier film. So each film is stand-alone with the only continuity being in the characters. The Carry On series is another example where a bunch of characters find themselves in inexplicably different misadventures. But Lage Raho Munnabhai and Munnabhai MBBS are about two buddies - Munna and his Sancho Panza - Circuit. They are a perfect foil to each other and the screen comes alive with their sparkling wit and antics. Dutt and Warsi could well be India’s answer to Bob Hope and Bing Crosby: so will the two actors, the producer and director give Indian cinema its first buddy series?

Buddy movies obviously stand or die by the chemistry between the actors, like the ‘Road’ series that are marked by sparkling chemistry between Hope and Crosby. While the fabled Laurel and Hardy are considered cinema’s best pair, they do not count as a ‘buddy’ duo. They were pioneers of slapstick, with very little of the bickering and character interplay that is a requisite of buddy movies. Neither were Abbott and Costello, as they relied more on the straight man/funny man routine. The true foundations of the buddy movie genre are Bob Hope and Bing Crosby with their Road To... series, where Singapore was just their first stop.

Hugely popular in the 1940s when The Road to Singapore brought them together they gave some of the best-loved film comedies ever. A total of seven Road films, starred the unbeatable screen duo, both of whom were established stars in their own right, but when teamed together they were unstoppable with their timing and rapport. Audiences eagerly awaited for each adventure as they travelled the world in a series misadventures along with Dorothy Lamour - The Road To Zanzibar, The Road To Morocco, The Road To Utopia, The Road To Rio, The Road To Bali and The Road To Hong Kong. They were the most successful comedy team of the 1940s and continue to charm and entertain audiences even today. Bud Spencer and Terence Hill to some extent also gave a clutch of buddy films. But were unable to sustain the audience interest for want of situations.

It is not that Indian cinema hasn’t explored the buddy concept. In the 1960s, I.S. Johar and Mehmood had tried something similar with Johar Mehmood In Goa and Johar Mehmood In Hong Kong. The two films had the duo play separate pairs of characters. In the first film, they were Ram and Rahim, in the second Ramesh and Mahesh. Johar and Mehmood were, of course, inspired to an extent by the successful Carry On series from UK, which yielded as many as 30 films between 1958 and 1978. The British ensemble cast had been grounded in a tradition of music shows, revues and burlesque, and were able to sustain themselves through the long-running series. But Johar and Mehmood were working in a vacuum without an established indigenous tradition of long-running comic adventures. So the Johar-Mehmood experiment died a natural death.

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Spurred by yet another overwhelming spate of box-office success, Chopra and Hirani are reportedly working on the next adventure, which will take Munnabhai and Circuit to America. As a market demand, the producer and director have received offers to develop the ever-so-popular Munnabhai and Circuit into a comic book series and also animation films. It won’t be very long before Munna and Circuit image will take on an animated life. Something to keep the public memory going till Munna and Circuit go on yet another adventure. Can Indian audiences look forward to a carry on with Munnabhai?


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PostPosted: Sat Oct 21, 2006 10:25 pm 
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Watched this today, and I must agree with all the praise for it. It brings Gandhi's philosophies to life, but never in a preachy way. Baradwaj Rangan's review sums up my thoughts. Using a protagonist who is a goonda is a master stroke that demonstrates the accessibility and simplicity of these ideals. All it takes is a common man to do these things.

This is a big leap from Munnabhai MBBS. While that film was sincere, it was also could be rather pedantic. The earthiness of the humor and the characters showed potential to be used in a better film, and LRM is that film. The filmmakers never forget to keep the tone light and humorous, yet sincere. This is not a film where the characters are cloistered in some unrecognizable fantasy world. The presence of Mumbai streets can really be felt in this film. This enhances the idea that Gandhian philosophies are not just unattainable ideals but are achievable in our everyday lives. LRM deals with decidedly grander ideas, but the tone manages to be sincere and light and humorous at the same time. The antagonists in both films are not the scenery-chewing uber-villains of yesteryear but normal people who have both good sides and bad sides. Lucky Singh may do terrible things in his business, but he is shown as a loving father who wants the best for his daughter, even if that includes fudging a horoscope or two :)

I wish the elderly people from 2nd Innings were in the film more, since they were so humanized when they were introduced.

I also liked that this film really has no ties to the previous film. It's not really a sequel so much as another film that uses the same protagonists. Boman Irani and Jimmy Shergill are in this film too, but in different roles, though Boman remains the antagonist.

What an entertaining and optimistic film!


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PostPosted: Tue Oct 31, 2006 3:16 am 
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Just a tid bit about LRMB songs:

We all know, "Bande Mein Tha Dum' song is same tune as 50-60s film JAGRITI,

Aao Bachcho Tumhein Dikhaein Jhaanki Hindustan Ki
------
------
Bande Matram Bande Matram.

Now, another one:
As soon as a 90 year old pious (religious) lady saw/ heard the song "Pal Pal Chhin Chhin" in LRMB, she remarked, "it has been ages since I heard this song & tune". She was talking of 50s or even earlier. She told that this song "Pal Pal Chhin Chhin" and tune was used during "Bharat Milaap" in the annual Ram Lila in old times. (Some changes in lyrics, but same tune) Bharat singing this song waiting for Ram to come back.


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PostPosted: Tue Oct 31, 2006 5:17 am 
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rana wrote:
Just a tid bit about LRMB songs:

We all know, "Bande Mein Tha Dum' song is same tune as 50-60s film JAGRITI,

Aao Bachcho Tumhein Dikhaein Jhaanki Hindustan Ki
------
------
Bande Matram Bande Matram.

Now, another one:
As soon as a 90 year old pious (religious) lady saw/ heard the song "Pal Pal Chhin Chhin" in LRMB, she remarked, "it has been ages since I heard this song & tune". She was talking of 50s or even earlier. She told that this song "Pal Pal Chhin Chhin" and tune was used during "Bharat Milaap" in the annual Ram Lila in old times. (Some changes in lyrics, but same tune) Bharat singing this song waiting for Ram to come back.


plagiarization is an art :lol: not curse! :roll: :oops:


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PostPosted: Wed Nov 01, 2006 10:46 pm 
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Am I the only one to think that 'Pal, Pal, Pal, Pal Har Pal' sounds a little bit too much like the song 'Logon Ka Dil Agar Jeetna' from Man Pasand (Rajesh Roshan)?


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PostPosted: Wed Nov 01, 2006 10:54 pm 
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rana wrote:
Just a tid bit about LRMB songs:

We all know, "Bande Mein Tha Dum' song is same tune as 50-60s film JAGRITI,

Aao Bachcho Tumhein Dikhaein Jhaanki Hindustan Ki
------
------
Bande Matram Bande Matram.

In this particular case there is an artisticly justifiable reason to copy the tune and also the play on words with 'Bande' which rhymes with 'Vande'. The tune does set the mood for Gandhi and nationalism. Also, after all Bande Matram itself is not an original line from 'Jagriti', but is rather taken from Bankim Chandra Chaterjee's 'Vande Mataram', which is the national song of India.


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PostPosted: Thu Nov 02, 2006 1:41 am 
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Sanjay wrote:
rana wrote:
Just a tid bit about LRMB songs:

We all know, "Bande Mein Tha Dum' song is same tune as 50-60s film JAGRITI,

Aao Bachcho Tumhein Dikhaein Jhaanki Hindustan Ki
------
------
Bande Matram Bande Matram.

In this particular case there is an artisticly justifiable reason to copy the tune and also the play on words with 'Bande' which rhymes with 'Vande'. The tune does set the mood for Gandhi and nationalism. Also, after all Bande Matram itself is not an original line from 'Jagriti', but is rather taken from Bankim Chandra Chaterjee's 'Vande Mataram', which is the national song of India.


Vande Matram sure is India's national song but Jagriti song, as well as, LRMB song has 'Bande' and 'Matram' words only and they are not in the same tune as Vande Matram national song. The whole music, rhythm and tune are all the same in Pradeep sung Jaagriti song as well as LRMB song.
No doubt, the song fits perfectly in LRMB.


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PostPosted: Thu Nov 02, 2006 2:01 am 
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Sanjay wrote:
Am I the only one to think that 'Pal, Pal, Pal, Pal Har Pal' sounds a little bit too much like the song 'Logon Ka Dil Agar Jeetna' from Man Pasand (Rajesh Roshan)?


Sanjay, I heard the Man Pasand song..and I can safely say that you are alone with this thought :D


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PostPosted: Sat Nov 04, 2006 8:01 pm 
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Guyz..This is the year of LRM year ..So would it be possible to compile a list of all the "slangs" used by Circuit... I have a few but dont know all...
SO please add the rest..would make for some interesting reading.

Aye Mooncipalty,
Aye Notebook,
Aye Enquiry,
Aye Leakage, (in the washroom)
Aye mental hospital


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PostPosted: Tue Dec 05, 2006 6:02 pm 
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simply BRILLIANT REVIEW OF MOVIE AND DVD by our one and only hugely tALENTED! STEPHEN! 8) 2 Thumbs up! :thumbs:

http://www.dvdtimes.co.uk/content.php?contentid=63438


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PostPosted: Tue Dec 05, 2006 6:17 pm 
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Stephen's review reminds me of 1999-2000 Indiandvdnewspage reviews (Saharan Sunny Audit) just before zulm.net was born. He used to review the film and then it's video and audio.

I wonder if Saharan Sunny Audit saved those reviews somewhere, or all are lost now ??


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PostPosted: Tue Dec 05, 2006 6:54 pm 
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rana wrote:
Stephen's review reminds me of 1999-2000 Indiandvdnewspage reviews (Saharan Sunny Audit) just before zulm.net was born. He used to review the film and then it's video and audio.

I wonder if Saharan Sunny Audit saved those reviews somewhere, or all are lost now ??


I DID ASK HIM ONCE! He did have some, I wish he would donate to zulm!


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