|
So, who's seen V for Vendetta? I just got back from the theater (I saw its "IMAX" incarnation), and I have to say that I thought it was pretty great. I went in with almost no expectations, and I walked out very, very pleased. As a whole, the film just works. After the two "Matrix" sequels, I somewhat began to wonder whether the Wachowskis would turn out to be a "one-hit wonder" duo, but V has made me feel much more confident in their abilities as film-makers/script-writers. Start to finish, the movie is intelligent, entertaining, and captivating. Technically, the film is stellar: The background music keeps you enthralled, and the visuals are just beautiful. The special effects, of course (it is a "Wachowski" film [I know they didn't direct it, but it seems they were heavily involved in its coming into form]), never falter. One of the film's sincere strongpoints, is its willingness to play with genres a bit. Yes, there's a constant, riveting "feel," but there's humor, some sattire, action (of course), non-heavy-handed political commentary, etc. Speaking of politics, the movie makes a brilliant move by being wholely relevant to our current times — War in Iraq, Avian Flu, terrorism, fear tactics, etc. — yet throwing in enough fantasy and blatant fiction, to not seem a high-horse-seated "preachy-ass" venture. After the "prequel trilogy" Star Wars debacle, I enjoyed seeing Natalie Portman in a film I could actually have respect for. As the movie is very much a philosophical endeavor, I liked that, though a strong point was made, nothing was harshly shoved down the audience's collective throat. Personally, I have nothing "against" the use of violence in films, but I very much prefer that it indeed be used, and not just "shoved in." In V for Vendetta, there's plenty of blood and lots of ass-kicking sweetness, but there're no moments that make you beg for the cessation of a seemingly end-less scene. I think the two Matrix sequels failed mostly in that they spent energy only in a superficial "story" and a beefed-up, non-stop "action entertainer." This might be fine for some "escapist films," but I wanted more from the films that succeeded a profoundly thoughtful and well-structed, idea-driven work. Ummm...that's it. Anyone?
|