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PostPosted: Mon Jul 09, 2007 5:18 pm 
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2007 mid-year music report - Unpredictability IN, routine OUT Click here to add this article to My Clips
By Joginder Tuteja, July 9, 2007 - 14:23 IST
Mid-year analysis always leads to certain interesting trends. The same happens in case of the music analysis too as it is quite apparent that except for a stray album or two, what seemed to be working most was a new sound. Unpredictability was in, curtains were down on anything that was routine. Not that 2007 has boasted of a dozen odd exceptional albums; that's certainly not the case, but one still looks on to the rest of the year with anticipation of something bigger and even better on the way. Till then one continues to sing along 'In Dino' and 'Alvida'!

Note: Salaam E Ishq and Guru are not included since the music released in 2006

1. Metro [Pritam]

Pritam easily leads the pack here, not just quality wise but even quantity. This is the reason why he dominates throughout the list with his musical score occupying as many as three slots - Metro, Awarapan and Hat Trick. Beginning with Metro, Pritam certainly succeeded in bringing on a new sound, and that too with extraordinary results, as his rock score became an instant chartbuster and till date continues to enthrall the audience not just across the country but worldwide. An experiment of coming up with a rock band worked and he along with Anurag Basu gave us delightful tracks like 'In Dino', 'Alvida' and 'Rishtey'.

2. Namastey London [Himesh Reshammiya]

It was a slow start for a soundtrack that had Himesh Reshammiya's name on the credit. It wasn't surprising though since he had refrained from churning out tunes that were characteristic of his style and instead experimented with his sound. Coming together with Javed Akhtar saab worked and results were for everyone to be seen. The album picked up after a slow start, especially after the release of the film, and currently is one of the most successful albums of the year, both commercially and critically. While 'Chakna Chakna' was being hailed as the track that would go the maximum distance, what worked [rightly so] was the all around success of soft tracks like 'Main Jahaan Rahoon' [superb], 'Viraaniya' [pensive] and 'Yehi Hota Pyaar' [delightful]. The album truly boasted of variety.

3. The Train [Mithoon]

Much has been said about the arrival of this new composer on the Bollywood music front but in the middle of the year Mithoon deserves yet another round of applause for carrying on the good work ever since he first came into limelight with 'Tere Bin' [Bas Ek Pal] last year. With his first full fledged soundtrack for The Train, he showed his versatility as a composer/singer by creating one superb number after another. If 'Woh Ajnabee' made you dance along, 'Mausam' had you thinking about life. If 'Teri Tamanna' was the one for the party, 'Beete Lamhein' was introspective. Last heard, he was been hailed as one of the most sought composer over this side of the year.

4. Cash [Vishal Shekhar]

Just around the time when the second half of the year has begun comes the score of Cash that is bound to wake you up from sleep if played on. Energetic, loud, foot tapping, peppy, 'masala-mix' and total time-pass, this soundtrack by Vishal-Shekhar bears their stamp all the way. Both come together to do what they are best at, i.e. go totally wild and create a new sound while being aided by technology and modern-day gadgetry. A score that is a mix of everything from hip-hop to rock to rap to even Indian melody, Cash also sees arrival of Vishal Dadlani taking over his role as a singer seriously by dominating the album. Watch out for 'Naughty Naughty' and 'Naa Puchho' - they are bound to make their presence felt in days to come.

5. Aap Kaa Surroor [Himesh Reshammiya]

To begin with it all seemed tried and tested. In fact there was even some disappointment to begin with as expectations were of extraordinary nature considering the fact that Aap Kaa Surroor was Himesh's debut movie as an actor. But once the album was played on for a few days with extensive promotion only helping the case, it was difficult to ignore songs like 'Tere Bina', 'Tera Mera Milna' and 'Jhooth Nahi Bolna'. Meanwhile there was always a 'Tanhaiyaan' to rely upon.

6. Jhoom Barabar Jhoom [Shankar Ehsaan Loy]

How much one wishes that 'Bol Na Halke Halke' would have got much more recognition than it actually gained? How much one wishes that the choreography of the song belonged to the same standards as that of 'Suraj Hua Maddham' [K3G]? How much does one wishes that the song was placed in a much better situation in the movie than compared to it's otherwise atrocious placement? Nevertheless, there would be ifs and buts but still Jhoom Barabar Jhoom by Shankar Ehsaan Loy would go down as a popular album. Also question remains if Daler Mehendi would have sounded better than Shankar Mahadevan? One can't say that but the album surely would be remembered for its superb title song choreographed on Amitabh Bachchan.

7. Awarapan [Pritam, Mustafa Zahid, Annie, Rafaquat Ali Khan]

Bhatts have been known for churning out musicals at an amazing regularity. The same was expected from Awarapan too and though the album did boast of at least a couple of chartbusters, they surprisingly didn't go an extra distance as they deserved! Also, while the promotion was primarily centered on 'To Phir Aao' and 'Mahiya' [both were good though], the song which was the best of all that was offered, 'Tera Mera Rishta', came a little too late. With Pakistani composers [Mustafa Zahid, Annie, Rafaquat Ali Khan] at the helm of the proceedings and Pritam coming in mainly as an arranger, Awarapan was an album that deserved much better.

8. Honeymoon Travels Pvt. Ltd. [Vishal Shekhar]

Just like Awarapan, even Honeymoon Travels Pvt. Ltd deserved a much better fate at the music stands. One of the first albums of the year to have made a mark for itself, it surprisingly didn't get much attention except for its superhit number 'Sajnaji Vari Vari'. The song was rocking indeed and can be now heard in million remix versions across the country's dance floors, but how one wishes that immensely melodious 'Halke Halke' would have got it's due. 'Pyaar Ki Ek Kahani' and 'Albela Albela' got noticed but audience didn't give any of them a treatment similar to that of 'Sajnaji'. A classic case of a single track eclipsing everything else in an album!

9. Ta Ra Rum Pum [Vishal Shekhar]

Unlike Honeymoon Travels Pvt. Ltd, the music of Ta Ra Rum Pum worked collectively rather than relying on a single track. Whether it was the title song or 'Hey Shona' or 'Ab To Forever' or 'Saiyaan' - none of them went on to be the chartbuster of the season but as a compilation took the album post the success mark. Ironically, the music was panned on its release and was even considered to be the reason behind the film's so-called-ordinary opening. Well, audiences had mind of their own as first they took the film past the safety mark and in parallel also made the music a success. Result is that even till date, the music sits in Top-5 of the charts and continue to register handsome sales.

10. Hat Trick [Pritam]

Terrible when it came to performance at the music stands, Hat Trick had some of the best tracks by Pritam that unfortunately went completely unnoticed. And no, we are not talking about 'Rabba Khair Kare'. In fact this was the very number that resulted in the unawareness of the album as a whole as throughout the film's promotion this 'bhangra' track was the only one that was heard. Result was that some of the most beautiful songs [both musically and lyrically] like 'Ek Pal Mein', 'Kahan Kho Gaya' and 'I Am Coming Home' went unnoticed. One waits in hope that one day the album would get its due!

Apart from the Top-10 albums as mentioned above, there were some other songs that also made a mark, most notable being as follows:

'It's Rocking' - Kya Love Story Hai
'Laaree Choote' - 1:40 Ki Last Local
'Shakalaka Boom Boom' - Shakalaka Boom Boom
'Ae Ganpat' - Shootout At Lokahndwala
'Cheeni Kum', 'Baaten Hawa' - Cheeni Kum
'Aafreen' - Red
'Sehlenge Hum' - 1971
'Rozana Jiye' - Nishabd
'Kitni Der Tak', 'Ae Gori' - Delhii Heights
'Ae Dil' - Naqab
'Baat Pakki' - Just Married
'Chanda Re' - Eklavya


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PostPosted: Tue Jul 10, 2007 10:19 pm 
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Ironical!! Best soundtrack, CHEENI KUM has not been mentioned at all. :shock:


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PostPosted: Fri Sep 21, 2007 4:13 am 
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Since then, we have a few other major albums releaesed;

chak de India
Laga chunri main daag
Heyy Babyy
Bhul buliyan
Om shanti om
Saanwariya!!

Now what we are missing is Rehman, who might close the year with bang of Jodha Akbar!

How would you stack, so far!

Please exclude Reshmiya :lol: for Lord Sake!


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PostPosted: Fri Sep 21, 2007 5:26 am 
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Has anyone even heard the fantastic "Maula Mere Maula" from Anwar? Much less even seen the film.


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PostPosted: Fri Sep 21, 2007 3:58 pm 
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DVD Collector wrote:
Has anyone even heard the fantastic "Maula Mere Maula" from Anwar? Much less even seen the film.


Anwar and Dor are worthy mention


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PostPosted: Fri Sep 21, 2007 4:46 pm 
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SANWARIYA

Quote:
n the end, it is the sound of the title song 'Saawariya' which stays on with you forever and is leaps and bounds above anything else in the album. While this is the anchor song which would be remembered for months to come, if not years, the others don't really go that extra distance to such an extent that it becomes hard to get them off your lips. 'Jab Se Tere Naina', 'Masha-Allah', 'Pari' and 'Chhabeela' do have their moments but don't quite qualify as chartbusters. In the end, 'Saawariya' turns out to be an album which does boast of quality in it's songs but gets hampered by restricted mass appeal.

3/5



LAGA CHNRI MAIN

Quote:
Laaga Chunari Mein Daag has a truly different musical score. Except for expecting a quality score, as a listener one doesn't have any idea about what exactly is in store from this Shantanu-Swanand created soundtrack. What one gets to hear eventually are six numbers which are entirely different not just from each other but also different from what you hear in other albums releasing around him. More than one song being the USP of the album, LCMD is the kind which works as a package in order to bring the essence of the film.

3/5



OM SHANTI

Quote:
Credit must go to Farah Khan who mixes the commercial elements of the movie with an inherent class which she wanted to lay out in the soundtrack for Om Shanti Om. This is why a fine balancing act is done in the album with hardcore massy tracks like 'Deewangi Deewangi' [best of the lot], 'Dhoom Taana' and 'Dard-E-Disco' presented along with touching tracks like 'Aankhon Mein Teri', 'Main Agar Kahoon' and 'Jag Soona Soona Lage'. And then there is always a 'Dastaan-E-Om Shanti Om' to bring the nostalgia of 'Ek Haseena Thi' [Karz'].

Om Shanti Om is easily one of the most complete scores by Vishal-Shekhar and Javed Akhtar.

Don't forget to log in this Saturday to listen to Om Shanti Om songs, exclusively on IndiaFM


4/5


CHAK DE

Quote:
Chak De India is completely different soundtrack from what you expect in a Yash Raj Film. Still, that's not really a consolation since even Kabul Express hardly had a feel-good theme and yet the music by Raghav Sachar had at least a couple of tunes that went on to become extremely popular. One can't say the same in case of Chak De India which primarily follows the situational/jingle route and doesn't come up with a single number that could become the highlight of the album.

1.5/5





HEYY BABYY

Quote:
The music score of Heyy Babyy is undoubtedly the best soundtrack of the year so far. Every track is a gem in its own way. Be it Dholna, Heyy Babyy, Meri Duniya Tu Hi Re, Jaane Bhi De, Mast Kalandar and all the remixes, every single track stands out for its sheer variety and immense entertainment quotient. To add to it, the entire album is extremely well produced (special mention has to be made of the delirious chorus singing sections). Heyy Babyy is a must buy.

4/5



CASH

Quote:
Vishal-Shekhar are back with a bang. They are back to doing what they are best at. Techno, Hip Hip, RnB, Pop with a desi tadka of Bhangra. The music of CASH is extremely well produced with at least three sure shot chartbusters in Cash the title track, Mind Blowing Mahiya and Rehem Kare. CASH as an album is definitely worth coveting. Go for it!

3.5/4





PARTNER


Quote:
So, as you can see, music of Partner isn�t the totally-hatke sort. But it surely gives you enough reasons to have fun and forget your worries. With the deadly combo of Salman and Govinda matching steps it�s surely a treat you wouldn�t want to give it a miss. As for the music CD of Partner, well it would top the playlist in your car, home n discs. Go buy it!.

3.5/4



BHUL BHULIYA

Quote:
If the title song is an out and out winner, 'Labon Ko' is for the hearts truly in love. 'Let's Rock Soniye' fits to the T when it comes to music for popular cinema while 'Allah Hafiz' and 'Sajda' can breath quite comfortably as long as they are picturised on Akshay. It is after quite a while that one finally gets to hear an entirely good album. After 'Cash' [Vishal-Shekhar], 'Heyy Babyy' [Shankar-Ehsaan-Loy] and 'Darling' [Pritam/Himesh Reshammiya] in the month of July, one was starved of any album that managed to impress in entirety. Well, 'Bhool Bhulaiyaa' certainly does with number of songs getting thumbs up.

3.5/4



SO BOTTOM LINE: MASS APPEAL/MASALA ARE WINNERS!


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PostPosted: Mon Sep 24, 2007 1:58 am 
Zoran009 wrote:
Please exclude Reshmiya :lol: for Lord Sake!


uh-hum! don't knock him down. Himesh Reshammiya's
AAp Ka Suroor is well put together also his Tadap song on Darling is pretty impressive too. GO HIMESH !!


Last edited by himmesh on Wed Sep 26, 2007 7:56 pm, edited 1 time in total.

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PostPosted: Wed Sep 26, 2007 1:13 am 
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A major gem of a soundtrack this year has got to be Manorama Six Feet Under. "Tere Saawalon Ke" won me over in the trailers alone, and "Woh Bheege Pal" is a nice tongue-in-cheek ode to "Woh Lamhe Woh Baatein Koyi Na Jaane".

My comments on the other albums in this post...

SAAWARIYA
4.5/5 - See comments in Saawariya thread.

LAAGA CHUNARI MEIN DAAG
0.5/5 - What a horrible, confused mess. There is no consistent sound theme joining the tracks, which is not a big deal, but even within each song, it feels like ten songs have been haphazardly joined together. Not a single track that I could say I enjoyed. I am looking forward to the movie, but the soundtrack sucks. Maybe it will get better after watching the film?

OM SHANTI OM
2.5/5 - Main Hoon Naa is a tough act to follow. And Farah should have stuck with Anu or AR for this venture. Vishal Shekhar are good, but they're too rough around the edges to handle the soundtrack for a magnum opus. Ajab Si and Jag Soona are the pillars of the album. And for the record "Deewangi" is no "John Jani Janardhan".

CHAK DE INDIA
2.5/5 - Admittedly situational, but I can still listen to most of the soundtrack without wanting to FFWD. Methinks Salim-Sulaiman are vastly underrated. They should have been drowning in offers after Kaal a few years ago.

HEYY BABYY
1.5/5 - I don't understand people who claim this to be the best soundtrack of the year. It is actually SEL at their most average, and lacks the innovativeness required to stand out without the videos. Witness Mast Qalandar which is only good with the video. Most of the songs sound like retreads of Dil Jo Bhi Kahey. I do love "Jaane Bhi De" a lot, but again it's thanks to the video.

CASH
1/5 - Again, good only because of the videos. The movie so desparately tries to cash in on the success and formula of Dus. But other than a sexy Shamita Shetty, Mindblowing Maahiya is not even a patch on Dus Bahaane. Without the visuals you don't even care.

PARTNER
4/5 - I like, I like. Call me stupid, but I think this film owes a lot of its success to the rocking soundtrack. Frankly, the film had too much to live up to with these tunes. I found the music some of the best ever for a Dhawan flick, and the comedy itself some of the worst. (Reminds me of Bade Miyan Chhote Miyan years ago.)

BHOOL BHULAIYA
1.5/5 - Labon Ko is quite nice... and the other tracks are ok. Nothing special.

My other faves this year,
METRO - 4.5/5 - Gotta luv it.
NAMASTEY LONDON - 4/5 - Just ignore most of the Himmesh sung songs and you've got a winner on your hands. "Dilruba", "Main Jahaan Rahoon" and "Yahi Hota Pyaar" are some of the best songs this year.
GURU - 3/5 - Have to say it is somewhat of a disappointment for Mani/Rahman/Gulzar combo, but the right steps are great. ("Maiyya Maiyya", "Aye Hairathe", "Tere Bina", "Jaage Hain") Too bad the wrong steps are so bad ("Ek Lo Ek Muft").


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PostPosted: Wed Sep 26, 2007 1:42 am 
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OK... tired of typing, so below without comment are my remaining favourite albums of this year (that I can remember)...

JBJ - 4.5/5
Awarapan - 3.5/5
KLSH - 3.5/5 (but hoooorible movie)
SEI - 4.5/5


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PostPosted: Wed Sep 26, 2007 4:41 pm 
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Thanks Ali_ikram, man you are still in best form! One of daring critic I have ever known! Savvy music reviewer! 8) to have you here among us!

The ratings I posted are not mine but are of rediff reviewers, who seem to patronize, hot/happening helluva!

Did you mention Cheeni Kum? I immensely enjoyed that soundtrack, that did not happen though!

From the recent to past! audience has been spelled and mesmerized by torture of Himmesh Reshmiya, recycled Preetam, trying to be the first two SEL, and VS, occasional Salim Sulaiman, Anu Malik, long gone! God saved us from NS, courtesy of Reshmiya!

Rehman has been sitting on the side, while acclaiming himself for one of HIS BEST as RDB :shock: I can see where he is heading and coming from.His Mangal, Guru, RDB are way below Rehman's own caliber imho

Lyricist, there is a big vacuum, not yet filled by Anand Bakshi, who was equally good in commoner and purists as a lyricist imho, as a corner stone of Yash Raj, Ghaii, Rajiv Rai groups!

These guys are trying to pitch in Gulzar to write street grade poetry, not with much success imho!

Javed Akhtar is permanent with Khan camp, and has come down to level of DARD E DISCO :lol: Holly crap, what does this mean? an javed sahab explain, who think, he is the linguistic poet dejour!

My Listing will be:

Saanwariya..this thing is growing on me with each listen, replacing every thing else! Quality music, good effort by Monty/SLB, still, imho, as it has over tones of SLB's previous films, I think, HDDCS, DEVDAS were better, and TJCG by Darbar is kinda soundtrack, I call wholesome! Still, I think, Nusrat Badar's lyrics were superior in each and every respect, Sameer seems to be out of his breath trying to find rhyming words, just listen to thode badmash track! I think, Shreya Ghoshal, sounding amazing here after being average to bad lately, he has sounded shrieking in Preetam devdas kinda number in Bhool Bhuliya! But she did sound amazing in cheeni kum, so did sameer's lyrics too, he did catch me by surprise there! BTW I feel all 3 films Khamoshi the musical, HDDCS, DEVDAS had distinct soundtrack, and were not SLB type! so far, but now from Saanwariya , yes! of course you can see SLB type music!lol

OSO...is the same masala, put MHN, VS, VZ, Old recycled masala calling it nostalgic!!!, but I think JA lyrics are better than sameer's.I just want to listen, not to memorize lol.

Heyy Baby, Bhool Bhuliyan, is kinda mush, where you through one of each flavor to churn out salable cocktail.

CDI, I thought SS tunes were good, but being too situational, takes every day fun out!

Laga Chunri, imho, is the biggest disappointment from Moitre and YRF camp.
They could have easily come up, with some thing, between fiza and zubaida.

Partner..again Sajid Waajid catch you by surprise with fresh, orig masala soundtrack!


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PostPosted: Wed Sep 26, 2007 6:50 pm 
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Quote:
In 2007, Pritam may have been come up with good music in number of films such as Bhool Bhulaiyaa, Awarapan, Hattrick, Kya Love Story Hai and Just Married. But if there is one album that impresses most after Life...In A Metro and turns out to be most satisfying experience, it is Jab We Met.

The album is a perfect example of how to get a quality soundtrack which mixes songs for different segments of audience. One which is looking for instant chartbusters to tap the feet on [Mauja Hi Mauja, Yeh Ishq Hai, Nagada Nagada] and another which feasts on music that is as peaceful and soothing as it gets [Tum Se Hi, Aao Milo Chalo, Aaoge Jab Tum, Theme music].

You don't want to miss this one!
3.5/4



Simply stinks imho!


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PostPosted: Thu Oct 04, 2007 1:55 am 
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Agreed whole-heartedly about missing Bakshi-saab. He was a national treasure.

I gotta disagree about Jab We Met though. One of Pritam's better albums IMO. "Tumse Hi" is great, and "Mauja Hi Mauja" will grow on you (so long as you can forgive that the Punjabi energy and pronunciation is not rustic enough). I very much dislike Kareena, but looking forward to this film cuz the director's debut Socha Na Tha was quite interesting. My only fear about Jab We Met is that it seems like a Dil Hai He Manta Nahin retread.


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PostPosted: Thu Oct 04, 2007 3:40 am 
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ali_ikram wrote:
Agreed whole-heartedly about missing Bakshi-saab. He was a national treasure.

I gotta disagree about Jab We Met though. One of Pritam's better albums IMO. "Tumse Hi" is great, and "Mauja Hi Mauja" will grow on you (so long as you can forgive that the Punjabi energy and pronunciation is not rustic enough). I very much dislike Kareena, but looking forward to this film cuz the director's debut Socha Na Tha was quite interesting. My only fear about Jab We Met is that it seems like a Dil Hai He Manta Nahin retread.


Well, yaar!I did give it my honest multiple listens, but have failed miserably!It just comes to me a mish mash of multiple genre, like heyy baby and bhool bhuliyan, with a couple better than rest but overall, no unifying character and usp.


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