Divert your eyes... SPOILERS AHEAD:
I just got back from the theater, having watched the eagerly-anticipated,
Krrish. It was actually OK. Hrithik Roshan didn't impress me nearly as well as he did in the prequel of the film,
Koi Mil Gaya, but he fit well enough the mold of the "superhero." Priyanka Chopra, too, was fine as the obligatory love interest. As a whole, I found the film entertaining, and I certainly didn't "roll my eyes" too many times; the special effects really weren't "
Spider-Man II sensational," but they got their job done. Though it doesn't really have much place in a little "pseudo-review" such as this, I do just have to take a moment to say that Rekha is still one of the hottest actresses in the industry; when she plays the "young version" of her character, she looks as though she hasn't changed a bit since her "Pardesiya" (
Mr. Natwarlal) days. Naseeruddin Shah (our suprise villain) is just fine as the very "James-Bond" villain, and actually reminds me a bit of how Amrish Puri would classically play his over-the-top-antagonist parts. The plot of the film is really quite simple, and the characters are about as "straight-out-of-comic-books" two-dimensional as you'd expect them to be; but then, to re-iterate, that
is part of the charm of this "type" of movie. Indeed, Krrish's values, his psyche, his goals, are very "Spider-Man"/"Superman" in their sincerity and morality. Nevertheless, the film feels genuine, where it could have easily "gone through the motions," heartless. The songs feel a bit unnecessary at times, and I was quite trying to suspend disbelief when I saw a village-boy Krishna dance like a music-star, but, Indian movies have songs (often enough, out of continuity), and in a film like
Krrish, if I couldn't suspend disbelief, then I shouldn't have been in the theater. The action scenes themselves — and even the overall "technical aspect" of the film — did "borrow"
heavily from all sorts of successful Hollywood ventures (Marvel-Comics-films-esque music, at times; some
Matrix-y fight sequences; some
Batman-type moments of "lurking";
Minority-Report-looking technology), but, altogether, the film did not feel like a Sanjay-Gupta project. Perhaps this was partly because
Krrish did borrow so
much, and incoroporate so
many "styles," from Hollywood films (honestly, though, where else would it find its lead, at this point), but I'd like to think it was at least significantly because the film had its own direction, its own identity in mind.
So, did I love
Krrish the way I loved
Daredevil,
Batman Begins, or
Blade?
Hell no. It
is, however thoroughly enjoyable — and thus successful in what it's set out to be — miles above not-so-hot Hollywood comic-films such as
The Punisher and
Batman & Robin.
