To-day's viewing of Family has compelled me to write this little...thesis. I've decide to compose a list of post-Mohabbatein films (which I consider to be the third, and current, "phase" of Bachchan's career) that I think Amitabh "saved." By "saved," I mean films that more or less suck, but were made watchable almost solely due to Bachchan's presence. Thus, a film such as Aks would not make the list, as it was far from "sucky." So, without further ado, here I go (chronologically):
1. Ek Rishtaa: A simply terrible movie. Horrible characterizations, trite dialogues, clichéd "message." The supporting cast did little to help matters: Juhi Chawla's role was utterly inconsequential, and Karisma Kapoor came off as nothing more than annoying. Akshay Kumar was OK, but he hadn't really his "drama chops," at the time of this films release (though he was certainly in full form by Waqt [in which he also starred with Amitabh]). Bachchan, however, was great in his role as the obstinate, stern patriarch. Among his best scenes, was that of the climax, wherein he cooly waited out an irksome, hamming Mohnish Behl. If not for Amitabh, Ek Rishtaa would have been an indescribable pain to watch.
2. Armaan: A movie that could have been good, but ended up going way off track, and thus, became a train wreck. The only parts that were actually compelling, were the few for which Amitabh Bachchan was actually on screen. Once his character was done away with, the movie just became a lost cause, and a bore.
3. Baghban: My, if ever there were an archetypical example of something. One of the most contrived, sappy pieces of shit to come out of the industry in recent years. Talk about two-dimensional, one-sided depictions of characters. Every moment of this movie seemed to teach a lesson in how not to make a scene. Though the songs were good, and the Amitabh-Hema pair was intriguing to watch, it is solely Amitabh Bachchan who made Baghban better than average. In a movie that pulled out all the stops, in making sure that you'd get — to the extent at which it might as well have bludgeouned you over the head with a bat reading, "LOVE YOUR MOMMY AND DADDY, YOU SELFISH b*****!" — Amitabh never played into what could have been yet another horribly stereotypical character. He put in a sincere effort, and it showed. Truly, without Bachchan in the lead, this movie would have been beyond disastrous.
4. Bunty Aur Babli: OK, so he didn't exactly "save" this one, but then, he was limited to what may best be described as an "extended guest appearance." That said, Bachchan was really the only enjoyable factor in this dull, uninteresting "entertainer." His "bad cop" routine was simply fun to watch, and his "Kajra Re" song went down quite well. Now, if only they'd put him in Abhishek's role, and let Priyadarshan direct.
5. Dil Jo Bhi Kahey: A dumb-ass, typical, predictable, "with-a-message" love story, in which Amitabh was the only thing that kept you looking at the screen. His confrontation with the heroine's father, was easily the best scene of the movie. It seems that it's not a good idea to cast newcomers with Bachchan, as — though it may help get some asses in the seats — the "newcomer" never really stands a chance at making a break (Abhay Deol did quite well, starring alone, in the well-made [though somewhat cheesey] venture, Socha Na Tha). Hell, the only song that was entertaining, in the entire film, was the one that starred Bachchan (i.e., the holi song ["C'est la Vie"]). Of course, the film was no Hum, but, minus-Bachchan, it wouldn't even have made a mark.
6. Ek Ajnabee: Wow, talk about pulling a film out of the shitter. Sure, had Man On Fire never been made, Ek Ajnabee would have been teriffic. Man On Fire, however, was made, and Ek Ajnabee was nothing more than the prototypical "Bollywood rip-off." Amitabh Bachchan much more than rose to the challenge of making his character more than a cardboard-cutout of a "wounded soldier," and he actually out-did Denzel Washington in the leading part. Honestly, if not for the "Amitabh-Bachchan factor," Ek Ajnabee would deserve nothing but scorn and abhorrence.
7. Family: Not really "saved," but nothing at all without Bachchan. Supposedly Aryeman's "launch vehicle," the movie disturbingly sophomoric slipshod film ended up being owned by Amitabh. Sure, Viren Sahai was basically a re-hash of Vijay Dinanath Chauhan, but Bachchan had more than enough fire left in him to pull off the role (the climactic "police-station" scene was probably the best of the entire film). He looked cool, he talked cool, he fired guns cool — Bachchan kept Family from being an utter waste of the cost of one movie ticket.
Yes, there are other films that fall into this time frame, that also suck (e.g., Hum Kaun Hai?, Ab Tumhare Hawale Watan Saathiyo), but they just couldn't be saved. Also, there have been many movies outside this time frame that Amitabh has "saved," but, well, that's a discussion for another day. For now, I think my anger towards Family has been somewhat resolved (I don't know exactly how, but I think that it has been). Does anyone have anything to add?
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