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PostPosted: Fri Sep 05, 2003 3:54 pm 
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Anil's cleverly packaged one-man show

(((RELIABLE, as ever, but FLOP Mr. BECHARA/ ANIL)

Deepa Gumaste | September 05, 2003 18:05 IST


How can a filmmaker build a suspense thriller brilliantly and then squander it away on a tame exposition?

Perhaps Sudhir Mishra, director of such gripping films as Dharavi, Main Zinda Hoon and Is Raat Ki Subah Nahin, can tell us.




Calcutta Mail, Mishra's first big-budget outing, displays a sense of urgency from the moment a harried-looking man (Anil Kapoor) gets off at Kolkata's Howrah station. He is obviously preoccupied. Soon, we find this visitor to the city of joy is called Avinash.

He is in the city to find a man called Lakhan Yadav (Sayaji Shinde).

The pieces of the jigsaw puzzle about Avinash's reasons for coming to Kolkata to hunt for Yadav are meticulously scattered across an engrossing first hour.


Shots of Avinash hopping on and off buses, trams and the underground metro rail, top angle shots of bustling streets, beautiful visuals of the Howrah bridge, chaotic sounds of the city, all add to the atmosphere of urgency. Snappy editing and quick-paced action (including a shootout in a shady bar), help take the tension to a feverish pitch.

Interspersed with the frantic chases are moments of relief provided by Avinash's interaction with Bulbul (Rani Mukerji), with whom he is forced to share a room in a bustling basti.

But the first signs of trouble in the tight screenplay surface when Bulbul breaks into the first unnecessary song.

A few minutes later, there is a second inexplicable song and dance routine, this time in Switzerland.

By the time Avinash and Yadav come face to face, a lot of blood has spilt on the streets of Kolkata. As the puzzle starts falling into place, events take more and more implausible turns.

There is a virtual bloodbath in the second half with absolutely no sign of any authority trying to keep violence in check.

Calcutta Mail is apparently inspired by the Telugu film, Choodalani Vundi, starring Chiranjeevi and Anjala Zhaveri. There are also some shades of the Mel Gibson starrer Ransom in the second half.

Whatever its antecedents, this is just another cleverly packaged one-man show by Anil Kapoor. The entire story is designed to suit his energetic style of acting. He infuses the drama with tremendous anxiety, particularly in the first half, with his edgy body language.

Sayaji Shinde's distinctly Maharashtrian accent does not make him a convincing Bihari. Also, his character is loosely sketched and too stereotypical to evoke much menace.

Rani Mukerji too doesn't have a well-written part, but her bubbly personality sees her through.

The rest of the supporting cast, including Saurabh Shukla (his Bengali accent is inconsistent), Ganesh Yadav and Shivaji Satam, don't deviate much from their past work. Satish Kaushik plays a bad man, perhaps for the first time in his career, but he is largely ineffective.

Manisha Koirala puts in a special appearance, but doesn't have much scope for histrionics.

Despite its convoluted second half, Calcutta Mail makes an impact because of Kapoor's performance and the effective use of the city of Kolkata as a backdrop for some genuinely gripping chase sequences.

CREDITS
Cast: Anil Kapoor, Manisha Koirala, Rani Mukerji
Director: Sudhir Mishra
Producer: Ashwini Dutt
Music: Anand Raaj Anand
Lyrics: Javed Akhtar

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http://rediff.com/movies/2003/sep/05mail.htm




Edited By arsh on 1062777404


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PostPosted: Fri Sep 05, 2003 4:05 pm 
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WEll!!! Anil is sharing FLOP FEATHERS with AB JR. RANI M is washed out too:

Calcutta Mail

By Taran Adarsh


Film-maker Sudhir Mishra makes a shift into commercial cinema with CALCUTTA MAIL. A critically acclaimed director whose hard-hitting middle-of-the-road sensibilities in IS RAAT KI SUBAH NAHIN won rave reviews. Needless to say, his latest endeavour is surrounded with expectations.

Expectations may generate curiosity, but they can also prove to be the downfall. A routine potboiler, this CALCUTTA MAIL has arrived, but with little to offer in terms of novelty or freshness, thereby giving its passengers a bumpy ride.

The film starts off with Anil Kapoor arriving in Kolkata in search of his son. He finds a chawl as a temporary residence and bumps into Rani Mukherji. Rani is a novelist in disguise staying with the chawl tenants to observe closely their mannerisms and behaviour. Anil has to share his room with Rani and she slowly gets attracted to him.

In the meanwhile, Anil's search leads him to Saurabh Shukla, who knows the whereabouts of Sayaji Shinde. Sayaji is a criminal from Patna who kills as and when he likes. He is believed to have fled with Anil's son and is hiding in Kolkata.

Days pass by, but Anil is unable to trace Sayaji. Then one day Saurabh betrays Anil and tells Sayaji everything about Anil and his purpose. Sayaji lays a trap. In the fight that ensues, Anil is stabbed [twice].

A recuperating Anil goes into flashback and narrates his past to Rani. The past brings along Manisha Koirala, who is on a run escaping from her father Satish Kaushik, a famous industrialist who wants her to marry Sayaji.

Anil saves her from the clutches of Sayaji amidst gunshots and a train accident. And subsequently cupid strikes. They marry and are happily settled with their son Yeshu. But not for long, as Manisha's father traces her. Things move from bad to worse as Manisha is killed and Yeshu is missing.

Cut to the present: Anil recovers, but the whereabouts of his son still eludes him. The rest of the story revolves around Anil's search for his son and also trace his wife's murderer.

The film, set against the backdrop of a three-storeyed chawl, brings to the fore the essence of Kolkata. Sudhir has given the story a very realistic feel, which is very much evident from the streets, bylanes and houses of the city, where the film is shot.

The director has handled certain scenes with aplomb. Anil's outburst when he realises Rani wants to propose, to revealing his purpose of arriving in Kolkata, as also the one where a man hangs his son from the balcony demanding money from his wife, can be highlighted.

Even the scenes where Rani and Anil are having silly arguments are well executed. But, unfortunately, such scenes are few and far between.

A remake of Telugu blockbuster CHOODALANI VUNDI, CALCUTTA MAIL is touted as an emotional thriller. But neither is the emotional quotient potent enough to give you goose bumps, nor is it an edge-of-the-seat thriller.

Even the climax, which has room for suspense, doesn't appeal when the real killer comes to the fore. Also, the film lacks continuity at certain places. Gangsters pop out from anywhere and everywhere.

Another factor that works against the film is its music. The songs act as speed-breakers since they are forced in the goings-on. In fact, the film would've had a better impact had it been a songless enterprise. Dialogues are passable. Ditto for the cinematography.

It's the performances that are the saving grace, as the big names don't disappoint. Rani is natural. Her light moments and chatter-box mannerisms provide a welcome relief. This performance will add value to her already-heavy resume.

Manisha Koirala impresses in the little footage she gets. Sayaji Shinde gets stereotyped in another negative role, which he executes with full justice. Satish Kaushik's transformation from doing light-hearted comedies to a negative role is a pleasant surprise. His performance is first-rate. Saurabh Shukla is competent.

But it is the ever-reliable Anil Kapoor who comes up with a powerful performance. His emotional outbursts, as a helpless father in search of his son, engage the viewer to a major extent.

On the whole, CALCUTTA MAIL disappoints. With no hype or hoopla surrounding the film, it will face an uphill task at the box-office.

Rating:- * ½.


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PostPosted: Fri Sep 05, 2003 4:23 pm 
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Gosh :O Chiru Anna with Anil Kapoor... bad choice film makers... as fasr as my knowledge goes.. Choodalani Vundi was a mega hit way back in 1998 ! (with awesome music as well ! )


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PostPosted: Fri Sep 05, 2003 4:29 pm 
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[Gosh Chiru Anna with Anil Kapoor... bad choice film makers]

WEll, when u make a bad choice..u r doomed...let anil gather another flop feather in his hat too..

Keep going, ABHISHEK, Anil.. :baaa:


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PostPosted: Wed Jan 14, 2004 3:40 am 
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I guess Indian audience wanna stick with their stupid sharukh khans Kal ho na ho type shitty movies. This movie is superb, and anil kapoor did full justice to his role.


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PostPosted: Sat Jan 17, 2004 8:42 pm 
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Quick question - I saw this movie on VCD, and it had 3 songs in it - were there more songs in the movie?


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PostPosted: Sat Jan 17, 2004 11:34 pm 
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According to the below screen shot taken from the DVD it only has three songs:

Image


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