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PostPosted: Wed May 14, 2003 9:36 pm 
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MoviemagiK




drama

Starring Amitabh Bachchan, Anil Kapoor, Preity Zinta, Gracy Singh

Directed by Honey Irani

Music Shankar-Ehsaan-Loy

Visit the Official Website




What we have over here is certainly one of the first biggies of 2003- and definitely a hot one all over. It had everything going for it - a great cast and crew, the talents of Honey Irani and Javed Akhar at the writing board, and also some great music from the Shankar-Ehsaan-Loy trio.

But somewhere down the line, it all does not sum up to what it should have been. It isn't going to be another Dil Chahta Hai from the Akhars in any way. Instead what Armaan eventually turns out to be is a decent piece of quality cinema. Not a masterpiece, mind you....just a decently well made piece of entertainment.

Armaan revolves around basic human emotions and relations all set in a medical backdrop.



!

Honey Irani with the help of Javed Akhtar comes up with a decent screenplay and script, but sadly it is very ordinairy. Coming from Javed Akhtar I expected a little more better writing, but the dialogues hardly seemed anything above the average or the norms.

Then the biggest problem with Armaan is the failure to really get going in any genre. The film, though it tries, does not quite live up to that great 'mature' love story feel. And all the hopes of it becoming a father-son bonding saga fizzes out way too early itself. And is it then a medical thriller - well, you get more tensions and thrills watching an episode of Chicago Hope or E.R if that is what you are looking for.

The first half is really well-paced with a lot happening by the time we reach the interval point. But the second half is where the film begins to sag. Well, it does not disappoint exactly but ends up tame in comparison. Obviously expected the screenplay to be more challenging and stronger. However things go rather soft and convenient. A little more hard-hitting stretched out climax would have been what the doctor ordered rather than this soft one that we get in this film.

Quite contrary to pre-release hype, this definitely is not an Amitabh movie for a change. He shows what he is worth in the first half. But his appearances in the second half is nothing but irritating to say the least. But that one scene in the back seat of the jeep, is all that is enough for me to show you how cool the Big B is onscreen.

So then is it an Anil Kapoor film? Well, Anil is certainly the focus of the proceedings. And he does not disappoint at all. He gives his best all throughout and shows that he is still very much there in this industry. Randhir Kapoor is average in his big comeback role, but thankfully he does not play it like the stereotype rich bad father!

But if this film is anybody's- then it is the ladies' who walk away with those credits. Gracy Singh comes out exceptionally strong and likeable dominating the first half. In an industry where actresses get real lousy roles, Gracy once again gets a strong role to deal with as a follow up to her debut show in Lagaan. And if its Gracy's show in the first half, then there is no stopping Preity Zinta in the second half. She steals the show completely giving all her life into her over-the-top character. I don't know the rave about Ash or Bipasha being the current numero actress, but when it comes to Preity, she definitely knows how to deliver the goods.

The film is technically sound and well made. At times though cinematography and the sound recording does go awry, but really bad enough to spoil the good work put in by the crew. But one thing that definitely is A grade in this film is the soundtrack from Shankar- Ehsaan-Loy. All the songs are melodious and easy on your ears.

The film that evokes mixed feelings. Like the strong first half has a tame second. Like for every good Big B's wig, there is an equally horrible Preity Zinta wig. But all in all, definitely one of the better movies to have come in Bollywood for quite some time. Its respectably decent, mind you!

http://moviemagik.tripod.com/Bollywood/ ... armaan.htm


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PostPosted: Fri May 16, 2003 3:09 pm 
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2nd rediff:

Armaan is way off the mark

After all, here is a lady who penned such engrossing films as Lamhe (Anil Kapoor, Sridevi), Aaina (Jackie Shroff, Juhi Chawla, Amrita Singh) and Kaho Naa… Pyaar Hai (Hrithik Roshan, Ameesha Patel) (we'd prefer to forget she also wrote Kya Kehna!). Besides, the screenplay has been written by Honey and her ex-husband, Javed Akhtar who is, without doubt, one of Hindi cinema's finest writers.

But all you get is wishy-washy melodrama, which reminds you of a line from Gulzar's Ijaazat -- "Phir wohi sacrifice, sacrifice, all the time."


Deepa Gumaste | May 16, 2003 19:41 IST


Have you heard of a film where, if you've watched the trailer, you have seen it all? Honey Irani's directorial debut Armaan is, sadly, is a classic example of this phenomenon. The film's promos suggest it's a stale tale about people trapped in situations conspicuous by their complete lack of originality.

You already know Amitabh Bachchan is a doctor who dreams of making his hospital a state-of-the art medical facility. You don't know he has been honoured with the Padma Bhushan, so that's one reason to watch the film!

You've figured out Anil Kapoor is his beloved son and a gifted doctor himself. You don't know he's adopted, so that's news.

You know Gracy Singh is a doctor in this stately hospital in a picturesque Himalayan town. You don't know she's an anesthetist of some repute.

That leaves out Preity Zinta, who isn't a doctor, and very much the thorn in everyone's side. That she's seen in skimpy clothes (as opposed to Gracy's 'proper' look), dancing about brandishing a knife and fork and wearing a blood red headband with devilish horns in the promos suggests she is either scheming or demented or both. She appears to be piling on to Anil, while he reserves his brightest smiles for Gracy, so you know exactly which way his heart is inclined.

Add to that Preity's stinking rich father Randhir Kapoor (among the 10 richest Indians in the world, you are informed) who tells Amitabh he can offer unlimited funds for the development of his hospital and then reminds him there are no free lunches in this world, and you get a complete picture of where this story is headed.

So where's the excitement? I mean, you should have been biting your nails in anticipation of a talented writer's directorial debut.

After all, here is a lady who penned such engrossing films as Lamhe (Anil Kapoor, Sridevi), Aaina (Jackie Shroff, Juhi Chawla, Amrita Singh) and Kaho Naa… Pyaar Hai (Hrithik Roshan, Ameesha Patel) (we'd prefer to forget she also wrote Kya Kehna!). Besides, the screenplay has been written by Honey and her ex-husband, Javed Akhtar who is, without doubt, one of Hindi cinema's finest writers.

But all you get is wishy-washy melodrama, which reminds you of a line from Gulzar's Ijaazat -- "Phir wohi sacrifice, sacrifice, all the time."

Music directors Shankar-Ehsaan-Loy strum up a couple of decent compositions, notably, Mere dil ka tumse and Meri zindagi mein aaye ho.

Gracy, in her first release after Lagaan, is pleasant as Miss Goody Two Shoes. Randhir Kapoor, who makes a sudden comeback after Mother (Rekha, Jeetendra, Rakesh Roshan), talks like Parikshit Sahni (God knows why!). Anil doesn't look too comely romancing girls nearly half his age. But he's sincere, as always, with his performance.

Preity's character bears a striking resemblance to Amrita's Roma in Aaina. Both women are so used to getting their way that they don't care for other people's feelings. But while Amrita's performance was a picture of polished restraint, Preity's flair for spontaneity is missing in this act.

However, the one person who is truly outstanding in this all-star cast is Amitabh Bachchan. You need to only watch him clutching an injured boy in his hands and trying to reach him to the hospital even as he's struggling for his own life, to know why he's a great actor.

If only Honey had come up with a better performance herself to make her directorial debut a memorable one. Unfortunately, Armaan is way off the mark.





http://rediff.com/movies/2003/may/16armaan.htm

***Gayee WHITE WIG paani maen :baaa: :nopity:




Edited By arsh on 1053097974


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PostPosted: Sat May 17, 2003 7:48 am 
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Armaan

By Taran Adarsh

Aarti Enterprises' ARMAAN, with Honey Irani at the helm of affairs, takes you back in time with its age-old storyline. Set against the backdrop of a hospital, this particular venture takes you on to an emotional ride of sacrifices.

...

On the whole, ARMAAN leaves a lot to be desired. The content of the film does not match the heavy star cast, which in turn will tell on its business.

Rating:- * ½.




personally, i don't like to read the details of a movie review, so i only read the first and last paragraph. for all else: IndiaFM's Review of Armaan




Edited By musafir02 on 1053157828


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PostPosted: Sat May 17, 2003 6:27 pm 
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Wasalaam!! musafir , yaar!!

Indolink, ka Amit seemed HAPPy with this melo drama!!?

he must be ANIL fan!! I bet:

Reviewed by: Amit
Reviewer's Rating: 8.5 out of 10
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Cumulative Rating: 9.7 out of 10
Rated by: 5 unique users

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Pleasant, Graceful and Mature. This is how one can describe Honey Irani´s directorial debut "Armaan". Within a few minutes into this movie, you envisage a medical drama filled with real characters, some good emotions and distinguished performances. There is nothing flashy or glossy about this script or movie, just simple and yet very classy. Though the movie does have its share of flaws, the subject is tackled in a different way that reminds a lot of Meghna Gulzar´s "Filhaal". Don´t get me wrong, there is nothing in common between the two movies, Honey Irani´s treatment of the subject reminds us of the Meghna Gulzar´s work in "Filhaal".

"Armaan" as the title signifies is the film about one's desire and hopes and how a son goes to fulfill his father´s dream. Dr. Siddharth Sinha (Amitabh Bachchan), a philanthropist, who owns a hospital and has a dream to expand it into a state of the art hospital and is on a lookout for some funds to achieve the cause. Dr. Akash Sinha (Anil Kapoor), a respected neurosurgeon, is equally devoted to help realize his father´s dream. Enter Neha Mathur (Gracy Singh), an anesthetist, who joins the hospital as an assistant to Akash Sinha. Their cordial relation starts blossoming into love with every surgery they perform together and how they realize they have so many things in common. Enter Soniya Kapoor (Preity Zinta), a spoilt daughter of a business tycoon Gulshan Kapoor (Randhir Kapoor), a girl raised in richness but with absence of love.


The movie and the script for itself aren´t without flaws. During the second half a lot of unnecessary sub-plots start evolving. The fourth angle of the love story provided by debutant Aamir Bashir´s character is clearly unnecessary and hinders the pace. Some of the scenes between Anil Kapoor and Preity Zinta get predictable and radically speaking, it is supposed to be Preity Zinta´s character that should have got some unpredictability in the movie. Editing by Shirish Kunder is also not up to the mark. Even though the pace of the movie can be slow, there has to be some linearity in the proceedings.

Technically the movie is definitely polished and Honey Irani has worked hard on giving the movie and the characters a different look. Art Direction by Yunnus Pathan and Kiran Khanna is splendid. After doing some great work in Dil Chahta Hai, Yunnus Pathan along with Kiran Khanna have done a great job in erecting the set of the hospital and giving it the slightly ancient look. The scenes in the operation theatre or the ones showing the day-to-day life in a hospital are authentically done. Ravi Varman´s cinematography is good in some sequences, which does remind the work done by his mentor Ravi Chandran in "Dil Chahta Hai".

The performances are terrific. Amitabh Bachchan livens up the screen with his portrayal of Dr. Siddharth Sinha. He simply dominates the screen when he is around. His new silver-haired look is different and immensely likeable. His portrayal of a man who has seen it all in life and yet being positive is superb. Though he does have some scenes in the second half, as an audience you want more of him. The pain, the anguish and the tolerance of his character is brilliantly done by the thespian. His scene with Anil Kapoor and Gracy Singh in the car or the ones with Anil Kapoor talking about the medical profession are a treat to watch. The scene performed by him at his death is undeniably moving.

The "jugalbandi" sequence between him and Anil Kapoor is the highlight of the movie and brilliantly done by both. Anil Kapoor infuses life into the character of Dr. Akash Sinha, the one of a neurosurgeon. The way he underplays his character is just superb. His scenes in the operation theatre are very very real and you can feel his pain when he uses the medical terminology when performing the operation to save the life of a patient. He performs three surgeries in the movie and at every stage, his character feels the medical victory and advances his bond with Gracy Singh. His portrayal of a man stuck between the two ladies and yet his loyalty towards his dignified father and the profession is real. Definitely a highlight of Anil Kapoor´s career.

Gracy Singh shows tremendous promise and comes up with a very mature performance. If you compare the resemblance of the love triangle in "Armaan" to that of "Dil Apna Aur Preet Parayi", Gracy Singh´s role is similar to that of Meena Kumari. Though it would be unjustified to compare her with Meena Kumari, she excels in the emotional scenes and delivers a performance that will take her places. Gracy Singh is here to stay. Preity Zinta is also good in her the role of a spoilt brat turned dominating wife. Though she has a more dominating character as compared to that of Gracy Singh, her initial scenes are welcome and offer the interesting angle of the story, but later they get a little predictable. He does have the spontaneity that is required for the portrayal of Soniya Kapoor but at the same time there are several scenes where she can be accused of a little overacting. Randhir Kapoor is just about ok. Newcomer Aamir Bashir is wasted.

In spite of a few flaws in the script, the movie does have some very good defining moments and will be one of the better movies this year. Some might like it for the subject and some might reject it, saying it is too slow and not up to my taste. But, Honey Irani manages to make a clean and a classy product that can be enjoyed with the entire family. The movie may not make a big impact at the box office as it clearly driven more for the classes than the masses, but the lively performances by Amitabh Bachchan, Anil Kapoor and Gracy Singh (incidentally the three doctors in the movie) and the entire well-captured medical ambience make the movie very enjoyable.


***Any SPOILER, I dont know? but you guys already know1 from FADDY's post, and indiafm review!!? :baaa:


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PostPosted: Sun May 18, 2003 4:11 pm 
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Another, BADish, from smash hit.com


HOME > BOLLYWOOD > ARTICLE
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POOR SCREENPLAY MARS SUPERB ACTING

By S Pankaj

Critic's I - View

click for larger view
The setting is perfect. 'Armaan' (Expectations) are high. People throng to theatres, as there has not been any big film for the last few weeks due to a ban by film producers. To add to this, Honey Irani pens this film. Her ex-husband and equally famous writer and lyricist Javed Akhtar writes dialogues and lyrics. And Amitabh Bachchan reunites with one of his favorite writer Javed after many years. Anil Kapoor joins this team after nearly two decades. Last time he was seen with Amitabh Bachchan in Ramesh Sippy's 'Shakti'. Amitabh plays Anil's father again, but this time a foster one. Honey Irani plays the role of director too.

click for larger view
There have not been many films in Hindi made on the lives of doctors, but Honey Irani does this. 'Armaan' is a film that showcases expectations of many. Dr. Sinha (Amitabh Bachchan) is a reputed doctor who wants to make his little hospital a dream care center. He works hard with his foster son Akash (Anil Kapoor). On the face value, 'Armaan' is quite an impressive film, but once the film rolls, viewers' 'Armaan' start shattering. The film takes a very slow start and moves slower. Only the setting is different. Amitabh Bachchan tries to save the film. Every time he comes on the screen, viewers cheer him. He dies before the interval. The Herculean task to carry the film from here falls on the shoulders of Anil Kapoor, Gracy Singh and Preity Zinta.

click for larger view
The trio accepts the challenge and comes out with brilliant acting and performance, but the fault remains because of the poor script. It is not that the whole film is waste, there are few scenes to enjoy like the one when Gracy and Anil want to show their affection for each other but discuss cricket and then Anil and Gracy are caught red-handed by Big B.Amitabh's comments on new generation are appreciated by all. This scene is the best scene of the film. Big B should come out with more and more such kind of roles. The film would have been fantastic if he was present throughout the movie.

As a director, Honey Irani does not have any thing new to talk about. Her direction and sequence picturization is just above average. Had she concentrated more on the screenplay and then on the direction, the film would have been far better. She also does not get much support from her technical team. S Ravi Verman's camera work is not very effective. He pans camera some time too fast and some time too slow. Shirish has tried to do away with these shortcomings with his editing to some extent. But the biggest disappointment comes from the music trio Shanker Ehsaan Loy or maybe they were the wrong choice for this kind of movies. They are more in tune with films like 'Dil Chahta Hai'. Mature people may praise the film, but there are few and not in this age bracket to come to theatres to see a film. The film fails to satisfy those who came to watch a good enjoyable entertainer.


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PostPosted: Sun May 18, 2003 4:19 pm 
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Armaan
Armaan is slow, boring and unimaginative, writes Deepa Gahlot

Producer : Aarti Enterprises
Director: Honey Irani
Music: Shankar-Ehsaan-Loy
Cast: Amitabh Bachchan, Anil Kapoor, Preity Zinta, Gracy Singh

A character in Honey Irani's Armaan says, of something implausible : "This can only happen in a Hindi film." Armaan is that kind of movie-- a cliché-ridden 'Hindi filmi' film.

That the combined talents of two of Hindi cinema's best scriptwriters Honey Irani-Javed Akhtar's should have produced such an unimaginative, slow and boring film comes as quite a shock.

The very idea of a 2003 reworking of the 1960 weepie Dil Apna Preet Parai is yawn-inducing. Apart from very superficial 'modernization'-like the heroine is a doctor not a nurse, people have civil marriages and get divorces-Honey Irani has not been able to add any new facets to the basic love triangle. The characters are one-dimensional and the story unfolds at a bullock-cart pace.

Dr Akash Sinha (Anil Kapoor), is as devoted a doctor as his adopted father Dr Siddharth Sinha (Amitabh Bachchan). He falls in love with fellow doctor Neha (Gracy Singh), but 'sells' himself to rich brat Sonya (Preity Zinta) to save the hospital -his father's "dream"-- from closing down.

Seems odd that after trying the health ministry and one private financier, Akash makes no other attempts to raise funds. Sonya is jealous and suspicious of Neha and behaves like a demented child. The pop psychology explanation for her lunacy is that her parents had got divorced and 'Daddy' (Randhir Kapoor) spoiled her rotten to make up for lack of parental attention.

In the typical coy old Hindi film manner, Akash refuses to touch Sonya, so that he can be returned to Neha in one piece; and Neha refuses to marry ardent suitor, the nice Dr Sanjay (Aamir Bashir), because true love must win, etc.

'Daddy-buy-me-a-husband' heiresses are so passé, as are noble jilted women, invariably with mothers who need emergency surgery. Irani can't make the audience care a fig for any of the characters, since they all look like they came out of a fifties' movie.

The biggest fault of the film is killing off Amitabh much to soon. He is the only actor who elevates the film in the few scenes he has-with just a twitch of the mouth and twinkle of the eye, he conveys much more that the hysterics of all the other characters put together. The scene of his death is truly moving.

Anil Kapoor is earnest as always, but looks jaded. Preity Zinta in an awful 'Cleopatra' get-up is irritatingly twittery, and Gracy Singh totally bland. But it is a crime putting Amitabh Bachchan in a white wig and giving him an insignificant role, getting rid of him and then making him walk around as a ghost. Eh tu Honey?


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PostPosted: Sun May 18, 2003 6:21 pm 
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Location: National Capital Region (India)
arsh wrote:
Have you heard of a film where, if you've watched the trailer, you have seen it all? Honey Irani's directorial debut Armaan, sadly, is a classic example of this phenomenon.

To add to this, the trailor itself is not much to speak of. Infact I lost all desire to see the film after watching the trailor.
By the way last night when I watched Haasil, Armaan was showing on the next screen and guess what, I saw atleast 3 families leave the film midway (interval). I guess we got another FLOP on hand.




Edited By Sanjay on 1053282212


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PostPosted: Tue May 20, 2003 10:49 pm 
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B4U, rates it below HAASIL:

Armaan

Love & Desire & Hate

Director: Honey Irani
Producer: Aarti Enterprises
Music: Shankar, Ehsaan and Loy
Cast: Amitabh Bachchan, Anil Kapoor, Priety Zinta, Gracy Singh, Randhir Kapoor
Rating: * *

By Parag maniar

Armaan marks the debut of writer Honey Irani as a director. Sadly, her pet project fails to live up to the expectations. Here we have Dr. Sinha (Amitabh Bachchan) who dreams to have a state-of-the-art hospital but does not have the required funds to do so. His son Akash (Anil Kapoor) a neurosurgeon shares his father’s dream. But there is nothing much he can do. And yes Akash is adopted! The hospital, where the father-son duo, practice has vacant post for anesthetist that’s filled up by Neha (Gracy Singh). Akash falls for Neha.

Steps in Soniya (Priety Zinta)! She wants Akash. Spoilt rich stubborn child that she is, she will have him by hook or crook. Thus a deal is made. Soniya’s stinking rich father (Randhir Kapoor) offers a huge sum to realise Dr. Sinha’s dream but there’s a condition. Akash will have to marry Soniya. Torn between his love for Neha and duty towards his father, Akash chooses the latter. Marries Soniya with Neha as a witness. The rest of the story deals with the turmoil of the three characters. Honey Irani who gave us brilliant stories in Lamhe, Aaina, Kya Kehna and Kaho Na Pyar Hai; her own films lacks the freshness and the punch that above mentioned films had. Armaan is a wish-washy melodrama where the characters aren’t even properly defined.

The film’s hill station backdrop is appealing to the eye. So are the expensive sets. But cannot make up for the wafer thin story line.

Shankar Ehsaan and Loy’s music is refreshing. Particularly noteworthy are the songs Mere zindagi mein aaye ho and Mere dil ka tumse.

Gracy Singh makes her presence felt though she has nothing much to do. Preity Zinta is good in what she has to do. However the hair do does not suit her at all. One wonders why her character goes through a transformation after her marriage to Akash. Anil Kapoor looks sincere. But appears uncomfortable romancing girls half his age.

The one person who steals the show is Amitabh Bachchan. Whether it is a scene that has him interact with his son Anil or rushing a boy to the hospital at the risk of his own life, Amitabh Bachchan is brilliant. There’s no other like him. But Armaan leaves a lot to be desired.


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PostPosted: Fri May 23, 2003 3:57 pm 
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*** Last nail in ARmaan's COFFIN, before it heads on DVD, tomorrow:by SCREEN

http://www.screenindia.com/fullstory.ph ... nt_id=3992

Choices...

Devesh Sharma






Writer Honey Irani is known for her humane stories and with Armaan, has made a good beginning as a sensitive director. Armaan is a film about choices. Each day, we all are forced to choose between the good and the bad. Each day, circumstances test our morals, our principles. Irani, through her protagonists, has brought this everyday human dilemma into sharp focus. The film also confirms our faith in doctors and the medical world. It doesn’t depict doctors as just callous healers or makes them demigods, but portrays them as perceptive, caring individuals who too fully share the pain and trauma undergone by their patients.

Dr Siddharth Sinha (Amitabh Bachchan) owns a hosital in Mussourie. His desire is to convert it into a state-of-the-art affair. His foster son Dr Akash (Anil Kapoor), who is a brain surgeon, shares this dream. Akash loves Dr Neha Mathur (Gracy Singh), a colleague in the hospital. All seems to be going hunky-dory for the couple when Sonia Kapoor (Preity Zinta) enters on the scene and falls lock, stock and barrel for Akash. Sonia is a spoilt daughter of a billionaire (Randhir Kapoor) and is habituated to possess everything that she sets her eyes on. She dangles a Rs 15 crore bait in front of Akash and to fulfill his dead father’s wishes, he accepts the offer. Sonia learns of his love for Neha and from then on continues to make life hell for Akash.

The film is inspired by Raaj Kumar-Meena Kumari-Nadira starrer Dil Apna Aur Preet Parayi, and while Nadira obligingly dies in that film, here Preity (perhaps as a token to our advanced, enlightened era) comes to her senses and divorces Akash in the end.

The father-son bantering between Amitabh and Anil (they share a song and a whisky) and the superlative, almost poetical dialogue by Javed Akhtar are two huge pluses of the film. The four principal actors have risen above their roles and have given splendid performances. Special mention must be made of Amitabh, in a silver wig, who towers as Dr Siddharth. So do Anil Kapoor, Preity Zinta and Gracy Singh, full of sincerity. All-in-all, the film is a truthful depiction of a professional’s integrity to his calling and to himself, and despite the somewhat slow pace, manages to tug at your heart.




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