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PostPosted: Fri Sep 20, 2002 6:21 am 
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Shakti (*** sorry for SPELL ERROR in TITLE!)

By Taran Adarsh

Boney Kapoor and Sridevi Kapoor's SHAKTI – THE POWER is inspired by the Hollywood flick NOT WITHOUT MY DAUGHTER (1990), starring Sally Field and Alfred Molina. SHAKTI – THE POWER has been directed by Krishna Vamsi.

Nandini (Karisma Kapoor) and her two uncles (Tiku Talsania, Jaspal Bhatti) live happily in Canada. She meets and marries Shekhar (Sanjay Kapoor) and they soon have an adorable son, Raja (Master Jai Gidwani). One day, Shekhar suddenly informs Nandini that they are going to India to visit his ailing mother (Deepti Naval).

And so they arrive in India. The heat, the dust, the crowd… Nandini and Raja are dumbstruck. Before they can catch their breath, they are herded into a train by Shekhar. A long and exhausting journey later, Shekhar, Nandini and Raja finally set feet upon a platform. But their misery is far from over. There's still a harrowing ride in a dirty, crowded bus through harsh and dusty terrain.

To Nandini's absolute horror, their bus is attacked by a frenzied mob welding swords and Shekhar is singled out and beaten black and blue. Nandini is terrified and assumes the end is near, when miraculously Shekhar's attackers are shot dead.

Shekhar, Nandini and Raja are driven to a fortress like 'haveli' where Shekhar's father, tyrant Narsimha (Nana Patekar), reigns supreme. Treated insolently by her father-in-law, Nandini is given a loving welcome by her mother-in-law (Deepti Naval).

Even as she grows to love her gentle mother-in-law, with every passing day, Nandini is revolted by the savage and ruthless ways of Narsimha, for whom killing is a way of life.

One day Nandini sees Narsimha teaching her little son, Raja, to throw a country-made bomb and goes crazy. Shekhar pacifies her and promises her that they will return to Canada soon. Even as she starts dreaming of a peaceful life again… Nandini's whole world is shattered – Shekhar is killed!

Overnight, she and her beloved son are at the mercy of the man she hates most in the world – Narsimha. Alone in an alien land, surrounded by cruel and ruthless people, Nandini has to fight her most important battle – for her son.

Director Krishna Vamsi has treated an intriguing story with utmost realism and poise. What sets this film apart from those of its ilk is that it is set in a realistic environment and the characters behave/act exactly the way they do in certain areas. The crude behaviour, the unrefined environment they live in, the aggressive lifestyle… the story takes a peep into the darker side of a segment that stills exists in the country. In that respect, SHAKTI – THE POWER succeeds.

But the film does have its share of downers. The realism depicted in the film, at places, will disturb the ladies in the audience. Although these sequences are of paramount importance, considering the fact that the film is set in a rural atmosphere, yet the impact of the provocative comments/scenes is so sharp that it wouldn't gel with the womenfolk.

Another aspect where the film suffers is its length. The film needs to be trimmed, especially towards the second half, by at least fifteen minutes. Shah Rukh's death sequence in the pre-climax, for instance, is well executed, but the impact gets diluted because it has been stretched too much.

Even otherwise, the much-hyped Shah Rukh track should've been presented with much more élan. His part looks patchy and the song – 'Ishq Kameena' – comes without any valid situation.

Despite the shortcomings, there's no denying that SHAKTI – THE POWER lives up to its title. It has a powerful script and power-packed performances that keep you on tenterhooks most of the time.

Director Krishna Vamsi deserves kudos for projecting the lifestyle to perfection and leaving a hammer-strong impact in several sequences. The mother-son bond (Deepti Naval-Sanjay Kapoor and Karisma Kapoor-child artiste Jai Gidwani) works in a very big way. The emotional undercurrent is maintained throughout, which is laudable.

The director's genius can be pointed out in several sequences, like:

* The Karisma-Nana clash, when Nana makes his grand-son (Jai Gidwani) throw a country-made bomb.
* Sanjay Kapoor's murder at the interval point.
* The child's (Jai Gidwani) effort to fetch water for his unconscious mother (Karisma).
* Deepti Naval's outburst in the pre-climax.

Ismail Darbar's music is plain mediocre. None of the songs actually contribute in elevating the goings-on one bit. Anu Malik's 'Ishq Kameena', which has caught in a big way, is well shot and choreographed.

Dialogue (Kamal Pandey) are a major asset. Most of them have an earthy feel and have been penned in keeping with the mood of the film. Cinematography (S. Sriram) is breathtaking. The dusty terrain and the sand dunes have been captured with utmost perfection on celluloid. Action is alright.

SHAKTI – THE POWER clearly belongs to Karisma Kapoor. Breathing fire and venom to win back her son from the clutches of a despot, the actress gives it all to the character of a helpless mother and proves what a virtuoso performer she is. Playing the part of a wounded tigress, this is one performance that overshadows all the performances the year has seen so far.

Nana Patekar is extra-ordinary in a role that seems tailormade for him. Conveying a lot through expressions and gestures, the actor with the infinite range is back in form after a long time.

Sanjay Kapoor is extremely likeable and stands up in front of two powerful performers – Karisma and Nana. He's definitely matured as an actor. Deepti Naval is simply fabulous. The oppressed look and the lone outburst sequence in the pre-climax will be greeted with a thunderous applause. Master Jai Gidwani is adorable.

Shah Rukh Khan's character provides the much-needed relief in a narrative that tends to get very heavy at times. Although the actor plays to the gallery with gusto, the character is not as impactful as one would've expected it to be.

On the whole, SHAKTI – THE POWER has the power to satiate the appetite of those looking for meaningful entertainment. The hype surrounding the film and the presence of several powerhouse performers should generate a power-packed opening for the film, which in turn should augur well for its investors.

Rating:- * * ½.

http://www.indiafm.com/reviews/02/shakti/index.shtml :baaa: ???




Edited By arsh on 1032503849


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PostPosted: Fri Sep 20, 2002 6:42 am 
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Unfortunately..... this good film will be, as usual, ruined by the b*****.s at EROS :angry: ....

Nana Patekar & Deepti Naval :) (what a combo after so many years ! )


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PostPosted: Fri Sep 20, 2002 9:03 am 
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Shakti-The Power **1/2
Dir: Krishna Vamsi
Cast: Karisma Kapoor, Nana Patekar, Sanjay Kapoor and in a ‘dynamic role’, Shah Rukh Khan
FROM the cleanliness and orderliness of Canada to the mayhem, madness and dysfunctionality of Bihar, Shakti-The Power is the story of Nandini’s displacement and the destruction of her life. It is also supposed to be about a woman’s strength, a moot point to which we will return later.

Nandini (Karisma Kapoor) and Shekhar (Sanjay Kapoor) appear to share an enviable fairy tale life in Canada with their toddler son Raja. But lolo and behold, and please now suspend your disbelief for the next two-and-a-half hours, Shekhar has parents and a whole gun-infested life in Bihar! Nandini of course is clueless about all this, a grand lesson in the merits of communication in a relationship.

A plane journey later they are slap bang in the middle of central Indian hell — gang wars, feudal lords, no laws, tyranny and bloodshed. Now talk about culture shock for Nandini and her frosty babe in arms. And it only gets worse. Shekhar is the long-estranged runaway son of the local heavy Narsimha (a menacing Patekar) who rules his district by force and firepower. His longstanding rivalry with his stepbrother wreaks havoc on the villagers and on their families. There is a benign mother (Deepti Naval), a benign bestfriend and several unfortunate looking henchmen.

And in this world a very fair, delicate foreign-returned Nandini loses her husband and then when Raja is in danger, she is decides to fight her father-in-law’s ferocity and return to Canada, but not without her… son!

This is the point at which you expect the ‘power’ to kick in; instead you just see her getting kicked-in.

Post-interval, enter Shah Rukh Khan, a little light relief after the heaviness of the first half. You have to doff your hat to him for the ease of his performance, and for Ishq Kaminaa (with Aishwarya Rai) which we predict will be filling up the dance floors of local nightclubs soon. This small-time crook becomes Nandini’s unlikely ticket out of hell. But not before you have been subjected to copious amounts of gratuitous violence, including some towards the little boy. In fact just watch Raja, there are few scenes in which he is not crying or reaching out, past the camera, to his real life parents.

Yes, all this does indeed add to the impact of the film, but not effectively. Nandini’s transformation from the obliging wife to the fiercely protective mother is unconvincing. While we naturally sympathise with her character’s position we do not necessarily get drawn into her emotions. This is clearly a fault of the script, not the performance. Karisma is unabashed, uninhibited and throws herself headlong into this exhausting role. There are too many longwinded scenes that overstate points and don’t move the plot along and characters that play no clear part at all are introduced and unceremoniously dropped.

Jumpy and incongruous editing doesn’t help either, though the cinematography by S Sriram is a definite technical plus point. The director deserves credit for effort and the producers for taking a chance with an unconventional story. More power to you if you decide to take a chance with this one.


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PostPosted: Fri Sep 20, 2002 10:08 am 
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Review
Movie
Shakti
Director
Krishna Vamsi
Producer
Sridevi
Cast
Karisma, Sanjay Kapoor, Nana Patekar, SRK






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By Ad-Lib
Rating: ***

A strong woman oriented subject after long, director Krishna Vamsi’s Shakti-The Power, the desi version of the Hollywood hit Not Without My Daughter is actress Sridevi’s first home-production. A story about a woman’s fight against harsh injustice.

The story of the film revolves around Nandini (Karisma Kapoor) who lives in Canada with her two uncles (Tiku Talsania, Jaspal Bhatti). There she meets Shekhar (Sanjay Kapoor), falls in love with him and they soon marry. Their family is complete when Nandini has a boy, Raja (Master Jai Gidwani). But their happiness is short lived, as the news of Shekhar’s ailing mother (Deepti Naval) makes them leave their perfect life in Canada and come to India. And that’s when the problems start. From the moment they reach India, both are shocked to see the pollution and the vast throngs of people everywhere. They take a crowded train to reach Shekhar’s village and when they finally reach the station, they have to catch a long bus drive to his village. The filthy sweaty bus combined with the uncertain terrain makes it a never-ending drive. And unfortunately for them, a frenzied mob that beat Shekhar out of shape for no fault of his attacks their bus. Fortunately, they get shot dead just in time before they can further harm him. After that, they drive to the khandaani haveli where Shekhar's father, Narsimha (Nana Patekar) lives with his wife (Deepti Naval). Nandani realized that her father-in-law is in command as soon as she enters the place, but her only solace is her mother-in-law’s warm welcome. Living there, Nandini learns of her father-in-law's tyrannical behavior and realizes that ruthless killing is a way of life for him. The day she sees her father-in-law teach her son to throw a bomb, she lashes out against him, insisting to Shekhar that they move back to Canada. But terror strikes again when Shekhar is murdered one day, leaving a broken down Nandini alone with her son in this strange land where she is harrowed by a cruel father-in-law. Her fight against this man to save her son is what makes up the climax of this emotional heart-wrenching film.

What sets apart Shakti from most films being made off late is also the rural setting of the movie. The only drawback is Ismail Darbar's music, which fails to rise above the script. The only saving grace is the sexy item number Ishq Kameena, which has been composed by Anu Malik. Another pat for the director comes because he has extracted some splendid performances from his cast. Karisma Kapoor is the life of the film and has given a moving performance as a helpless mother. She is sure to win awards for this heated portrayal. Second is actor Nana Patekar who is back with a bang with this film. His uncouth mannerisms suit him to the hilt and he’s shown his versatility once again with this role. Sanjay Kapoor is the surprise packet of the film with a sincere and effective portrayal that stands up against both the other actors. Deepti Naval too is in top form and her pre-climax showdown with Nana is praiseworthy. Shahrukh’s cameo provides the lighter moments and surely he’s been pulled in to get the required star value. Though his role was not really required, he’s done it well. Overall, Shakti is a far superior film than most churned out these days and the pre-release hype is sure to get it a good opening. So what if the film needs to be desperately trimmed by at least 2 reels to better the impact. Shakti still has the power to go on without a hitch!


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PostPosted: Fri Sep 20, 2002 1:21 pm 
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Movie Review: Shakti - The Power

- by Viral Bhayani (eBolly.com)

CLICK ON THE IMAGES FOR A LARGER VIEW !!!

Starring: Karisma Kapoor, Sanjay Kapoor, Nana Patekar, Shah Rukh Khan, Aishwarya Rai (Special App.)

Director - Krishna Vamsi

Producer - Sridevi Kapoor

Music - Ismail Darbar, Anu Malik

Lyrics - Mehboob

Score: * * *

Things can get really scarry – if you are an NRI man you are in for a rude shock. In most possibilities, you might decide not even to visit India to meet your parents or relatives. Read down to know why we made a statement like this.

Iinspired by the Hollywood flick Not Without My Daughter (1990). The story is about Nandini (Karisma Kapoor) and her two uncles (Tiku Talsania, Jaspal Bhatti) who are rich and live in a sea facing bungalow in Canada. The viewer is shown plush furniture and a bowling Alley from Mumbai! Nandini decides to marry Shekhar (Sanjay Kapoor) who runs an entertainment joint in Canada. They decide to get married, have a kid and he even grows up by the time the long lasting song ends. One fine day while the couple are traveling in their car, they see a huge screen of BBC which flashes some breaking news. Suddenly Shekhar is upset and he is packing his bags. The audience has no clue what went wrong so much that he does not even tell his wife! And then it is bon voyage to India.

Once they arrive in India, Nandini is shocked to see the rural India. A scene where Shekhar’s uncle touches Nandini in a very cheap manner is scary – also that uncle looks like a baboon and has acted brilliantly in this movie.

Suddenly while they are in the bus, the killing starts and what we see is gangs that look like terrorists all over the place. One thing we don’t understand why Shekhar did not make things clear to his wife that she is bound to expect something wicked like this. Looks like the filmmaker like the audience and the wife to assume a lot of things!

The entire setting of the way the two couple meet there folks is very gripping. The entry of Nana (Narsimha) who plays Shekhar’s father grips you. Narsimha is a complete savage on the other hand Shekhar’s mom Deepti Naval is more docile.

One day Nandini sees Narsimha teaching her little son, Raja, to throw a gets wild . Shekhar pacifies her and promises her that they will return to Canada soon. Even as she starts dreaming of a peaceful life again.Nandini's whole world is shattered – Shekhar is killed!

This is where the climax starts and her stuggle to escape from the rude father. Narsimha does not allow Nnadini to take her son, so she has to attempt few escapes – but she fails.

Once she manages and that’s where Shah Rukh Khan comes to her rescue.

Ash only comes for a song which is basically in the dreams of SRK! And we wonder what Mr. SRK who has a hangover of Devdas and Dilip Kumar did such a stupid role in this film. He is an absolute waste. Also, let’s face it we are not some good stunt moviemakers, so why indulge in to it. SRK is speaking any language here!

Also they show Rajasthan with camels while they talk Bihari! Both Karisma and Nana are terrific. Snjay is effective while Deepti looks far classier as the role demands. Ritu Shivpuri looks hot in those revealing ghaghras.

The direction is brilliant and even the narration is done well. But why the movie was dragged so much also plenty violence here so this may affect the movies prospect. The Ishq Kamina songs does not gel well this movie. The 1st half is better then the 2nd hlaf.

On the whole a dark film worth watching once.


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PostPosted: Fri Sep 20, 2002 1:53 pm 
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For zulmis in Canada in addition to the usual theatres in Toronto Shakti is also showing in AMC theatres in Montreal and Kanata.


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PostPosted: Fri Sep 20, 2002 2:01 pm 
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filmibuff wrote:
For zulmis in Canada in addition to the usual theatres in Toronto Shakti is also showing in AMC theatres in ---- and Kanata.

Wow, in my backyard.
A must see, today or tomorrow.

Rana


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PostPosted: Fri Sep 20, 2002 2:03 pm 
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rana wrote:
A must see, today or tomorrow.

Rana

Cool. Do let us know of your impressions


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PostPosted: Fri Sep 20, 2002 3:47 pm 
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http://www.rediff.com/entertai/2002/sep/20shakti.htm

Run Lolo Run
Shakti -- The Power is heavy viewing with powerful performances


Sukanya Verma

Here's a comforting thought. Sridevi Productions' Shakti -- The Power is not about a woman single-handedly fighting for justice. It is not about a rape victim turning into a revenge-thirsty bandit. Nor is it about a scorned woman forming a mini army to avenge her husband's killers.

The film just revolves around a young widow who knows her limitations yet possesses the spirit to rescue her three-year-old son.

Don't get too comfortable, though. The film works at an extreme level. Every episode in the film is lifted to terrifying heights. Shakti -- The Power, based in rural Rajasthan, presents such a horrifying depiction of the place that you might seriously think twice before setting foot there.

Also, there is enough blood, gore, violence and verbal abuse to make your skin crawl.

The story circles around the young orphan girl Nandini (Karisma Kapoor), based in Canada. Her indulgent uncles (Tiku Talsania and Jaspal Bhatti) play Cupid to Nandini and her best friend Shekhar (Sanjay Kapoor). In one continuous song, the two get married, go on a honeymoon and have a baby, who proceeds to grow into the chubby three-year-old Raja (Jai Sidhwani).

A local television screen shows some brawls in a remote town of Rajasthan with references to Shekhar's parents Narsimha and his wife (Nana Patekar, Deepti Naval) being in trouble. Ahem. Canadian television covers local village feuds in interior India?

Shekhar, wife and son immediately leave for India. He is financially sound. But he opts to rough it out with wife and son in a crowded local bus. Surely there was a less obvious way to portray the rural setting? Anyway, Shekhar is soon attacked by his father's opponent Beecha (Vijay Raaz), much to Nandini and Raja's dismay. He is rescued in the nick of time by Narsimha's men.

Narsimha, village patriarch and the caretaker of 40 villages and 40,000 men, speaks in a vitriolic tone, shoots pigeons for fun, kills animals in the name of sacrifice, treats women like doormats and butchers men mercilessly. Sterling qualities to be dubbed as a noble man by the village folk.

He is pleased to meet his grandson, but is indifferent towards Nandini. Shocked by his tyrannical attitude, Nandini resents him spending time with Raja. During a local combat, Narsimha beheads Beecha. Horrified, Nandini urges Shekhar to return to Canada.

Unfortunately, Shekhar is killed during a well-planned encounter between Narsimha and his enemies. A distraught Nandini wants out, Narsimha does not relent. She escapes with her son in tow.

On the run, she bumps into a smooth-talking, maverick rogue (Shah Rukh Khan) who resolves to help her.

From the time Nandini decides to elope with her kid, the film is at its tense and gripping best. The climax, however, is a let down --- it glorifies Narsimha's misdeeds without giving him a chance for remorse.

Shakti -- The Power is heavy viewing with powerful performances from the cast.

Nana Patekar is a great Narsimha. Obstinate with vague hints of a disturbed, frustrated past, Patekar brilliantly captures the complex nature of his character without making it too obvious.

Karisma Kapoor spits heated fire at Nana Patekar in the face-off sequences. Her Nandini is believable and strikes a balance between vulnerability and toughness. She impressively conveys the mental strength of her character in the scene when she tells her mother-in-law, "It's all about commitment --- of a wife to her husband, of a mother to her child."

Thankfully, you are spared unrealistic, feministic dialogues and references to Goddesses with conches in the background.

Sanjay Kapoor essays his brief part with sincerity and does not get overshadowed.

Shah Rukh Khan is the light relief in this otherwise stark film. His energy is put to good use as he rambles nonstop and fights dozens of goons with the ease of a musketeer. He is particularly funny while making a dig at animal activist Maneka Gandhi, "Abe unthon ko haath mat lagana, warna Maneka Gandhi chodegi nahi" (Be prepared to face Maneka Gandhi's wrath if anything happens to the camels). Another good moment is when Karisma bribes SRK with dollars.

Shah Rukh's much-talked about song sequence with the stunning Aishwarya Rai in Ishq kameena comes out a bummer. Its placing in the film is mistimed. Actually, that goes for all the songs in the film. Immediately after Sanjay Kapoor's funeral, there is a dream song between him and Karisma. Next, Karisma is crying her guts out after a heavy scene. Cut to Ishq kameena. You could be forgiven for losing focus here.

S Sriram's camera captures the stark and arid Rajasthan, while art designer Priten Patil effectively brings out the ruthlessness of Narsimha's nature with the overpowering sets. Director Krishna Vamsi who made the original Anthapuram in Telugu, which was loosely adapted from Brian Gilbert's Not Without My Daughter extracts poignant performances from the cast.

I will say one thing. It disturbed me no end to see the masses applaud Nana Patekar mouth obscenities at women and gnarl during Karisma Kapoor's emotionally charged scenes. This is the reaction in Mumbai. You shudder to think about the audience in rural India.

Faced with a regressive audience such as ours, I have one question: did this film need to be made?




Edited By filmibuff on 1032536848


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PostPosted: Fri Sep 20, 2002 6:12 pm 
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Just saw the film on cinema myself and I have to say Kudos to prehaps one of the top films from Hindi cinema for this year!

I only found the long and slow songs to be in the way of this otherwise top dramtic and violent screenplay that nurtures from the original Telegu version. I take it back when said I don't expect much from this film as after seeing it I think it could be a box-office performer with the help of good word of mouth from the audiences. Certainly recommended!

Power to Shakti!!


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sunny , what is your view on the performances?


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komal nahata ji ne to sirf 1 mark spare kiya hai shakti ke liye...

Radio Sargam Review

On the whole, Shakthi The Power is a tiresome, tedious and long journey of a mother and her son. Its journey at the cinemas will, however, be very short. Considering its high price on the one hand and its poor/ordinary opening on the other, it will entail heavy losses to its distributors.




Edited By filmibuff on 1032613347


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Hindustan Times Review

Shakti - The Power

Cast: Nana Patekar, Karisma Kapoor, Sanjay Kapoor, Shahrukh Khan, Deepti Naval
Director: Krishna Vamsi

Shakti is, indeed, packed with power. Sadly, it's only lungpower. Virtually every single sequence in this unrelentingly melodramatic film culminates in a bomb blast or a gunshot. The poor actors are therefore compelled to indulge in high-decibel histrionics simply to be heard above the deafening din. They shriek and shout, howl and holler through three hours of total mayhem in the heat and dust of rural Rajasthan.

Shakti is purportedly a commentary on a feudal society's disdain for gender equality, but it would be hard to tell exactly what the film is driving at unless you've read all the hyped-up publicity material. Subtlety and sensitivity are commodities that scriptwriter-director Krishna Vamsi obviously hasn't heard of. So his tale of a young woman who fights her dead husband's clan for the custody of her child is crammed with scenes of gruesome violence and gory executions.

Shakti is the story of Nandini (Karisma Kapoor), who arrives in India with her husband, Shekhar (Sanjay Kapoor), and her little son from faraway Canada. She is greeted by an inhospitable terrain, lecherous men and a rustic father-in-law (Nana Patekar) who is a law unto himself. From the peace and serenity of North America, the lady lands amid goats, pigeons and bloodthirsty villagers. The rest is hysteria.

Shekhar's father (Nana Patekar) rules the area - it has 40 villages and 400 families -- from his fortress-like mansion. In a running fratricidal battle between his clan and the family of his grandfather's illegitimate sons, Shekhar is killed and the heroine is left to fend for herself. Her father-in-law is bent upon sending her away without her son; she is determined not leave without her child. With a little help from her mother-in-law (Deepti Naval) and an illicit liquor supplier (Shahrukh Khan), she manages to make a dash for freedom.

Little is right about the performances. Karisma gives the role all she has; what it needed was controlled emoting. Shrill squeals are no substitute for authentic sentiments. Nana Patekar is no mean actor but in order to look suitably mean, he has to abandon his customary restraint. Sanjay Kapoor is not a box office draw, so Shahrukh Khan steps in to help out in the second half. As the glib vagabond, he provides some much-needed comic relief. But at the business end of his performance, that is when the going gets serious in the climax, he duly falls back on his tendency to overact.

Never before have so many top-draw actors shouted so loud for the feminist cause. If Shakti - The Power doesn't alter gender equations in rural India, nothing will.


Author: Saibal Chatterjee


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Smashits Review

'SHAKTI' TEPID DESPITE KARISHMA'S MUSCLE FLEXING

By Pankaj Shukl

Critic's I-View

Hollywood has been a perennial fount of inspiration for Bollywood. The latest to dip into it is producer Sridevi. What she comes up with is a version of 'Not Without My Daughter' titled 'Shakti-The Power'. The original story is about one Betty Mehmoodi who marries an Iranian and faces unending trauma at the hands of his hardliner countrymen. 'Not Without My Daughter' has already been made in Telugu ('Anthapuram') by Krishna Vamsi, and he makes his debut as a Hindi film director with this remake of 'Anthapuram'.
The film was completed a few months back but met with a tepid response from the distributors. This is, perhaps, the reason why an 'item number' ('Ishq Kameena') by Aishwarya Rai was included as a bait for them. Karisma Kapoor had, of late, been making tall claims about her performance and role in 'Shakti', but these are belied by the film. Her performance here does not even come close to her showing in films like 'Fiza' and 'Zubeidaa'. In 'Shakti', she falls prey to loose characterization and a surfeit of violence.


This is the third film this month that sees the plot revolving around a female character (after 'Dil Hai Tumhaara' and 'Sur'). And, going by the history of Bollywood, where films based on female protagonists hardly click, 'Shakti' too has bleak chances of success at the box office. 'Shakti' is the story of Nandini (Karisma Kapoor) who lives in Canada and falls in love and marries Shekhar (Sanjay Kapoor). The result of this union is a son. One day Nandini comes to know that Shekhar has a family back in India. Her hubby has received some bad news about his mother and he wants to leave for the motherland immediately. When she lands up in India, Nandini comes face to face with a world that she has not even visualized in the worst of her nightmares. Shekhar's father Narsimha (Nana Partekar) is a demi-god in a part of North India that is not clearly delineated (one sees vast stretches of desert and a lot of camels but the people of the area speak Bhojpuri!). In this part of the world, Narsimha's word is law. No one challenges him, neither police nor politicians. Narasimha has evidently been having a running battle with his stepbrother for years and it is this factor that was responsible for Shekhar's shift to Canada after an aborted bid on his life. Now, the phoren-returned Shekhar wants to change the ways of his father and his followers but is killed during the course of his missionary act. An upset Nandini naturally wants to leave all this behind but Narsimha won't allow it. He wants Shekhar's son to be brought up like the Spartans of old so that he can avenge his father's killing. Nandini makes several attempts to escape, once even with the aid of her mother-in-law (Deepti Naval) and a street-smart chap (Shah Rukh Khan is a special appearance), but is unsuccessful.

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Karisma Kapoor has been trying hard for the past few years to change her image of bimbette in short skirts. Of late, she has been opting for offbeat roles, like the one in this film, in a desperate bid to be recognized as an actress of worth. But she seems to be missing the point. An actress is remembered not for extraordinary roles but for extraordinary acting even in normal roles. Moreover her body language and looks are a hindrance in achieving her aim. She just not have the looks or style of a Smita Patil or a Shabana Azmi. He looks are just not 'Indian', and this becomes a big handicap for her while essaying some roles. All the films in which she has played 'offbeat roles' have bitten the dust. It remains to be seen how 'Shakti', in which she has put in a decent performance, fares at the box office. One has the suspicion, though, that at the end of the day, the film will be remembered more for the 'Ishq Kameena' number than Karishma's performance.

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Shah Rukh Khan's brief role comes more as a hindrance in the progression of the story but Nana Patekar rules supreme in the film. If there is any fault to be laid at his door, the blame should go to the dialogue writer. Sanjay Kapoor has nothing to show for his exertions. 'Shakti', however, can boast of slick presentation. In Krishna Vamsi, one sees the entry of a talented director. He gives us some very creative and innovative frames. Along with cameraman S.Sriram, Krishna shows that technically, Indian cinema can be on par with global cinema.

Ismail Darbar has composed some melodious songs for the film in tandem with lyricist Mehboob.


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PostPosted: Sat Sep 21, 2002 6:06 pm 
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Joined: Mon Dec 03, 2001 5:53 pm
Posts: 14989
:bangbang: Ab Khud DEKH LO, BUFFY bhaiya! kisko maane aur kisko nahin!?? :angry: :baaa: :stupid:

recent example is SUR vs ECLS!

These IDIOTS blew off, a BEAUTIFUL/SENSITIVE film, with a lOT of QUALITY pluses!! As based on star cast and theme, it was not STUPID/MUSHY/SENSATIONAL/ and COMMERCIALLY VIABLE!! so it is a WASH OFF!

While ECSLS!! Just because of KACHRA SENSATIONAL stuff, has been DECLARED a COMMERCIALLY viable HIT!!
BOTH released on the same day, who knew Lucky/GAURI as actors and MM KARIM, did not do an ISHQ KAMINA in SUR!!
PEOPLE lined out side ECSLS theatres!! only!!

SUR is not a PERFECT film, but it is a GOOD film, so far THE BEST from TANUJA CHANDRA and I expect, 3-4 AWARDS going for that film, including, performances by leads and MUSIC!!!

NOW!! Shati, because of KAMINA! and SRK/Aish on the posters OPENING had to be GOOD!!
But! once u come back and pass on the word of mouth for such a HEAVILY/GORISH film!! Ur word shld be "

""GOOD film, Karisma and Nana were too GOOD! Aish looked good, but she was only in ONE SONG! SRK was in the last 30 minutes of the film, and was torn into pieces!too much BLOOD/GORE/VOILENCE, U need a strong HEART to watch it again! or If u like to LISTEN to NANA's GAALIYAN, cursing for Karisma"

So....sustaining over the period!! :baaa:
Will it become UK chart buster like STUPID mushes like YHJ/MDK/MYKSH!! I dont think so!! :baaa: :stupid:


*** here I'll go with KOMAL's FINAL VERDIDT:

"""((((On the whole, Shakthi The Power is a tiresome, tedious and long journey of a mother and her son. Its journey at the cinemas will, however, be very short. Considering its high price on the one hand and its poor/ordinary opening on the other, it will entail heavy losses to its distributors.))))""

:baaa:




Edited By arsh on 1032632120


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