DragunR2 wrote:
Clearly ARR and Gowariker tried to go away from the heavily Naushad-inspired kind of period films for this soundtrack. Very different kind of instrumentations, though, of course, some things will be similar. Azeem-o-Shaan is amazing, and Khwaja Mere Khwaja is a very good qawwali, with ARR singing all the parts. Mann Mohanaa is a beautiful song, especially that haunting interlude towards the beginning. The two romantic songs are kind of disappointing, but they're nice songs.
I was expecting your pro defensive Rehman response! But! Amen! you struck the right chords! Imho, overall, it lacks a cohesive, integrated soundtrack appeal to me, comparative to Lagaan, Zubaida, Meenaxi , Water etc.
If you analyze each and every one of those 5 six numbers, they do individually stand on their own. But when you put all of those together, they do not create that a wonderful cohesion.
So bottom line, not one of REHMAN's best work, but still GOOD! Instrumentation is beyond my comprehension too PROGRESSIVE for kinda film.
It reminded me for ASOKA where soundtrack was immensely good but was not worthy to enlighten a period film.