It is currently Thu Apr 18, 2024 2:02 am

All times are UTC




Post new topic Reply to topic  [ 59 posts ]  Go to page Previous  1, 2, 3, 4  Next
Author Message
PostPosted: Fri Dec 31, 2010 7:38 am 
Offline

Joined: Thu Dec 03, 2009 4:03 pm
Posts: 15
Sunny, I hope you'll include extra features in future titles if they are available and there is free space to utilize


Top
 Profile  
 
PostPosted: Sat Jan 01, 2011 1:32 pm 
Offline

Joined: Tue Dec 04, 2001 12:28 am
Posts: 1373
Location: London, UK
There is a 30min making of documentary on the Blu-ray of Raavanan (Tamil). However, this is not subtitled due to budget constraints. We spend all the money for optimal picture/sound quality on the main feature.


Top
 Profile  
 
PostPosted: Sat Jan 01, 2011 1:38 pm 
Offline

Joined: Tue Dec 04, 2001 12:28 am
Posts: 1373
Location: London, UK
krosswindz wrote:

Its really good to know that Tamil Blu-ray authoring are at the hands of an expert. One thing which I feel disappointed with Tamil Blu-ray being the audio bit depth in invariably 16 bit which IMHO is more of CD quality. Is this because the original audio master is recorded at 16 bit instead of 24bit or is it because of some other restriction. 24bit audio bit depth would definitely do better justice for Blu-rays, ofcourse just padding 16 to 24 would be pointless.


All sound masters for Tamil features are originally created at 16bit. No point in padding to 24bit.
Some movies were mixed in 24bit (back in 1996 when DTS was first introduced) but directors felt that the ADR and OTT sound effects sounded more artificial as it was too detailed. So they reverted back to 16bit.


Top
 Profile  
 
PostPosted: Sun Jan 02, 2011 9:20 am 
Offline

Joined: Mon Dec 03, 2001 8:14 pm
Posts: 1086
Sunny, are top Indian directors and DOPs aware of Red Epic camera? Are they planning to use it?


Top
 Profile  
 
PostPosted: Mon Jan 03, 2011 10:34 am 
Offline

Joined: Tue Dec 04, 2001 12:28 am
Posts: 1373
Location: London, UK
mhafner wrote:
Sunny, are top Indian directors and DOPs aware of Red Epic camera? Are they planning to use it?


They are...I heard one South Indian Film are looking at Red Epic for filming.


Top
 Profile  
 
PostPosted: Tue Jan 04, 2011 5:14 pm 
Offline
User avatar

Joined: Mon Mar 01, 2010 10:02 am
Posts: 129
Location: Austria
Image My BR arrived today Image
Now I need to find time to watch it this week 8)


Top
 Profile  
 
PostPosted: Fri Jan 07, 2011 12:16 pm 
Offline

Joined: Mon Dec 03, 2001 8:14 pm
Posts: 1086
What's the point of having PCM and DTS MA? Is one not the losslessly compressed version of the other?


Top
 Profile  
 
PostPosted: Fri Jan 07, 2011 6:39 pm 
Offline

Joined: Tue Dec 04, 2001 12:28 am
Posts: 1373
Location: London, UK
I would only have 5.1 PCM. But since the Uncomrpessed format causes problems on most old amps/ 5.1 systems we have also included DTS-MA (a more widely used sound format for the home theatre). Bascially, the PCM is for me :)


Top
 Profile  
 
PostPosted: Sat Jan 08, 2011 7:40 am 
Offline

Joined: Thu Feb 07, 2008 6:17 am
Posts: 77
^ I am confused, I thought old amps and AVRs decode PCMs and they have issues with the newer multi channel DTS HDMA track.


Top
 Profile  
 
PostPosted: Sat Jan 08, 2011 9:41 am 
Offline

Joined: Mon Sep 18, 2006 3:56 am
Posts: 164
Location: Bangalore
krosswindz wrote:
^ I am confused, I thought old amps and AVRs decode PCMs and they have issues with the newer multi channel DTS HDMA track.
You are corect. But the issue with DTS HD MA is not so severe. I think Sunny is referring to the fact that Older Amps that cannot decode HD MA can atleast down-convert DTS HD MA to core DTS Track which can still give an impressive 5.1 result. However with PCM the older Amps are stuck to just decoding any 5.1 spurce to just 2 channel sound only.


Top
 Profile  
 
PostPosted: Sun Jan 09, 2011 2:39 am 
Offline

Joined: Tue Jul 18, 2006 12:39 pm
Posts: 113
I wonder how many people with older amps know of the "analog out" option to get lossless sound. If your player has built in audio decoders and your amp supports 5.1/7.1 analog audio out, you can get lossless sound.


Top
 Profile  
 
PostPosted: Sun Jan 09, 2011 2:55 am 
Offline

Joined: Sun Jul 19, 2009 8:47 pm
Posts: 141
nitin77 wrote:
I wonder how many people with older amps know of the "analog out" option to get lossless sound. If your player has built in audio decoders and your amp supports 5.1/7.1 analog audio out, you can get lossless sound.


Small correction: Analog output of the source (in this case blu-ray player) to analog input (most probably multi channel input) of the receiver. Almost all of the 3rd generation blu-ray players have a built-in decoder.


Top
 Profile  
 
PostPosted: Sun Jan 09, 2011 5:15 am 
Offline

Joined: Tue Jul 18, 2006 12:39 pm
Posts: 113
yep sorry, my mistake. 5.1/7.1 analog out from the player, which isnt that common I guess. Most older receivers have 5.1/7.1 analog input.


Top
 Profile  
 
PostPosted: Sun Jan 09, 2011 6:27 am 
Offline

Joined: Thu Feb 07, 2008 6:17 am
Posts: 77
Anurag1700 wrote:
krosswindz wrote:
^ I am confused, I thought old amps and AVRs decode PCMs and they have issues with the newer multi channel DTS HDMA track.
You are corect. But the issue with DTS HD MA is not so severe. I think Sunny is referring to the fact that Older Amps that cannot decode HD MA can atleast down-convert DTS HD MA to core DTS Track which can still give an impressive 5.1 result. However with PCM the older Amps are stuck to just decoding any 5.1 spurce to just 2 channel sound only.


If one has the older AVR that does only PCM, why not let the player do the decoding and output PCM. I think most players should be able to output PCM over TOS link if the player doesnt have multichannel analog output which can be used with the receiver. I feel having two lossless audio tracks is just an over kill and the additional space could either be used for extras or additional video bandwidth. This is once again just my opinion.


Top
 Profile  
 
PostPosted: Sun Jan 09, 2011 3:42 pm 
Offline

Joined: Sun Jul 19, 2009 8:47 pm
Posts: 141
krosswindz wrote:
Anurag1700 wrote:
krosswindz wrote:
^ I am confused, I thought old amps and AVRs decode PCMs and they have issues with the newer multi channel DTS HDMA track.
You are corect. But the issue with DTS HD MA is not so severe. I think Sunny is referring to the fact that Older Amps that cannot decode HD MA can atleast down-convert DTS HD MA to core DTS Track which can still give an impressive 5.1 result. However with PCM the older Amps are stuck to just decoding any 5.1 spurce to just 2 channel sound only.


If one has the older AVR that does only PCM, why not let the player do the decoding and output PCM. I think most players should be able to output PCM over TOS link if the player doesnt have multichannel analog output which can be used with the receiver. I feel having two lossless audio tracks is just an over kill and the additional space could either be used for extras or additional video bandwidth. This is once again just my opinion.


Toslink does not support the big codecs (DTS HD MA, DTHD & Uncompressed PCM), period. It supports only the lossy formats DD and DTS. So even if you select "Uncompressed PCM" in the movie's audio menu, most probably you'll only hear 2 channel audio through Toslink.


Top
 Profile  
 
Display posts from previous:  Sort by  
Post new topic Reply to topic  [ 59 posts ]  Go to page Previous  1, 2, 3, 4  Next

All times are UTC


Who is online

Users browsing this forum: No registered users and 7 guests


You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum

Search for:
Jump to:  
Powered by phpBB® Forum Software © phpBB Group