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PostPosted: Wed Sep 11, 2002 12:26 am 
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Joined: Mon Dec 03, 2001 5:53 pm
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Yes! Indeed! I adored that film, ! Was starcast same in Tamil version, few years younger? or same?
I meant, main, Sridevi/kamal?

Plss, keep us posted, how does TAMIL version, turns out to be? by AYANGRAN! :baaa: :love:


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PostPosted: Mon Sep 16, 2002 1:55 pm 
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Joined: Fri Feb 08, 2002 3:20 pm
Posts: 886
Shahran Sunny Audit wrote:
you could be right, the film was made before my time so I was presuming it was made back to back. But its odd if it isn't as the film does look so similar with same locales, set designs and even camerawork.

It is one of Indian cinema's best tradegy love stories, and the ending is simply superb.

Well the similarity in looks can be attributed to the fact that the technical crew was the same, hence the shot compositions would have been the same as well. Similarly in more recent times THEVAR MAGAN's remake VIRASAT strikes you for being astonishingly similar in the shot compositions, inspite of different directors making the two versions.

Balu Mahendra's cinematography was breathtaking the way he captured Ooty in winter. But unfortunately IMHO he went a bit overboard on the melodrama bit. I wish the protagonist's angst at the loss of his girl-woman was underplayed. Which is perhaps why it did not do too well at the BO. But without doubt it remains a movie worth a look. The music by Illayaraja was superb. One can never forget Wadkar's rendition of 'Ay zindagi, gale laga le'. Gulzar-sahab turning in some fabulous lyrics with one of the best children's lyric in the form of 'Ek dafa ek jungle tha' !




Edited By Aarkayne on 1032184687


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PostPosted: Mon Sep 23, 2002 7:28 pm 
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Joined: Fri Jun 21, 2002 6:46 am
Posts: 23
Location: Santa Cruz, California
sknath wrote:
DEI was activeley involved with this film, but as Sandish had stated (in my last communication with him).. that they couldnt do much with this film as the film was damaged without any possible chance of a recovery

It is usual practice in film restoration of classic films to find more than one print of the film. Then an archivist edits the best reels and scenes from the different prints to create one optimal print. It's really sounds as if DEI is just working from one print and that one they possess is in poor shape, that is really a sad situation.
I bet if DEI would have the steam to find a few prints and spend a bit of time to edit the best pieces from them into one print they could come up with a more than presentable film to transfer to DVD.

Wouldn't it be great if Indian film companies would come into the modern age and preceive their back log of films and their prints as objects to be preserved as opposed to products that are just used and stored? There really needs to be a 'preservationist' movement earnestly pushed foward within the Indian film community. Damn it, do we have to start it ourselves? I guess so.
:ffs:


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